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	<id>https://wiki.phantis.com/index.php?action=history&amp;feed=atom&amp;title=Lord_Byron</id>
	<title>Lord Byron - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://wiki.phantis.com/index.php?action=history&amp;feed=atom&amp;title=Lord_Byron"/>
	<link rel="alternate" type="text/html" href="https://wiki.phantis.com/index.php?title=Lord_Byron&amp;action=history"/>
	<updated>2026-06-02T18:21:21Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://wiki.phantis.com/index.php?title=Lord_Byron&amp;diff=47835&amp;oldid=prev</id>
		<title>Irlandos at 09:27, April 28, 2012</title>
		<link rel="alternate" type="text/html" href="https://wiki.phantis.com/index.php?title=Lord_Byron&amp;diff=47835&amp;oldid=prev"/>
		<updated>2012-04-28T09:27:51Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 09:27, April 28, 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Image:Lord-Byron.jpg|thumb|200px|left|Lord Byron on a Greek commemorative stamp]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;George Gordon (Noel) Byron, 6th Baron Byron&amp;#039;&amp;#039;&amp;#039; ([[January 22]], [[1788]]&amp;amp;ndash;[[April 19]], [[1824]]) was an English poet and leading figure in Romanticism. Among his best-known works are the narrative poems &amp;#039;&amp;#039;Childe Harold&amp;#039;s Pilgrimage&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Don Juan&amp;#039;&amp;#039;. The latter remained incomplete on his death.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;George Gordon (Noel) Byron, 6th Baron Byron&amp;#039;&amp;#039;&amp;#039; ([[January 22]], [[1788]]&amp;amp;ndash;[[April 19]], [[1824]]) was an English poet and leading figure in Romanticism. Among his best-known works are the narrative poems &amp;#039;&amp;#039;Childe Harold&amp;#039;s Pilgrimage&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Don Juan&amp;#039;&amp;#039;. The latter remained incomplete on his death.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Irlandos</name></author>
	</entry>
	<entry>
		<id>https://wiki.phantis.com/index.php?title=Lord_Byron&amp;diff=47833&amp;oldid=prev</id>
		<title>Irlandos: /* Life */</title>
		<link rel="alternate" type="text/html" href="https://wiki.phantis.com/index.php?title=Lord_Byron&amp;diff=47833&amp;oldid=prev"/>
		<updated>2012-04-28T09:20:37Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Life&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 09:20, April 28, 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l16&quot; &gt;Line 16:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1812, Byron embarked on a well-publicised affair with Lady Caroline Lamb.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1812, Byron embarked on a well-publicised affair with Lady Caroline Lamb.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Rumors suggest around this period he also fell in love with a choir boy, though scholars dispute the veracity and relevance of this. For his half-sister, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Augusta Leigh&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;, he wrote many passionate poems. She had been separated from her husband since 1811 when she gave birth on [[April 15]], [[1814]] to a daughter, Medora. Byron&amp;#039;s joy over the birth seems to substantiate the rumors of an incestuous relationship. Byron married Anne Isabella Milbanke (&amp;quot;Annabella&amp;quot;), a cousin of the Lady Caroline, who had refused him in the previous year.  They married at Seaham Hall, County Durham on [[January 2]], [[1815]]. Later, when Annabella&amp;#039;s mother died, her will stipulated that her beneficiaries must take her family name in order to inherit. Lord Byron added it and became &amp;#039;&amp;#039;George Gordon Noel Byron&amp;#039;&amp;#039; in 1822. The marriage proved unhappy. He treated her poorly and showed disappointment at the birth of a daughter (Augusta Ada), rather than a son.  On [[January 16]], [[1816]], Lady Byron left George, taking Ada with her. On [[April 21]], Byron signed the Deed of Separation.  After this break-up of his domestic life, Byron again left England, as it turned out, for ever. Byron passed through Belgium and up the Rhine; in the summer of 1816 Lord Byron and his personal physician, John William Polidori settled in Switzerland, at the Villa Diodati by Lake Geneva. There he became friends with the poet Percy Bysshe Shelley, and Shelley&amp;#039;s wife-to-be Mary Godwin. He was also joined by Mary&amp;#039;s step-sister, Claire Clairmont, with whom he had had an affair in London. Byron initially refused to have anything to do with Claire, and would only agree to remain in her presence with the Shelleys, who eventually persuaded Byron to accept and provide for Allegra, the child she bore him in January [[1817]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Rumors suggest around this period he also fell in love with a choir boy, though scholars dispute the veracity and relevance of this. For his half-sister, Augusta Leigh, he wrote many passionate poems. She had been separated from her husband since 1811 when she gave birth on [[April 15]], [[1814]] to a daughter, Medora. Byron&amp;#039;s joy over the birth seems to substantiate the rumors of an incestuous relationship. Byron married Anne Isabella Milbanke (&amp;quot;Annabella&amp;quot;), a cousin of the Lady Caroline, who had refused him in the previous year.  They married at Seaham Hall, County Durham on [[January 2]], [[1815]]. Later, when Annabella&amp;#039;s mother died, her will stipulated that her beneficiaries must take her family name in order to inherit. Lord Byron added it and became &amp;#039;&amp;#039;George Gordon Noel Byron&amp;#039;&amp;#039; in 1822. The marriage proved unhappy. He treated her poorly and showed disappointment at the birth of a daughter (Augusta Ada), rather than a son.  On [[January 16]], [[1816]], Lady Byron left George, taking Ada with her. On [[April 21]], Byron signed the Deed of Separation.  After this break-up of his domestic life, Byron again left England, as it turned out, for ever. Byron passed through Belgium and up the Rhine; in the summer of 1816 Lord Byron and his personal physician, John William Polidori settled in Switzerland, at the Villa Diodati by Lake Geneva. There he became friends with the poet Percy Bysshe Shelley, and Shelley&amp;#039;s wife-to-be Mary Godwin. He was also joined by Mary&amp;#039;s step-sister, Claire Clairmont, with whom he had had an affair in London. Byron initially refused to have anything to do with Claire, and would only agree to remain in her presence with the Shelleys, who eventually persuaded Byron to accept and provide for Allegra, the child she bore him in January [[1817]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;At the Villa Diodati, kept indoors by the &amp;quot;incessant rain&amp;quot; of that &amp;quot;wet, ungenial summer&amp;quot;, over three days in June the five turned to reading fantastical stories, including &amp;quot;Fantasmagoriana&amp;quot; (in the French edition), and then devising their own tales. Mary Shelley produced what would become &amp;#039;&amp;#039;Frankenstein, or The Modern Prometheus&amp;#039;&amp;#039; and Polidori was inspired by a fragmentary story of Byron&amp;#039;s to produce &amp;#039;&amp;#039;The Vampyre&amp;#039;&amp;#039;, the progenitor of the romantic vampire genre. Byron&amp;#039;s story fragment was published as a postscript to &amp;#039;&amp;#039;Mazeppa&amp;#039;&amp;#039;; he also wrote the third canto of &amp;#039;&amp;#039;Childe Harold&amp;#039;&amp;#039;. Byron wintered in Venice, where he formed a connection with Jane Clairmont, the daughter of William Godwin&amp;#039;s second wife.  In [[1817]] he was in Rome, whence returning to Venice he wrote the fourth canto of &amp;#039;&amp;#039;Childe Harold&amp;#039;&amp;#039;. About the same time he sold Newstead and published &amp;#039;&amp;#039;Manfred&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Cain&amp;#039;&amp;#039;, and &amp;#039;&amp;#039;The Deformed Transformed&amp;#039;&amp;#039;. The first five cantos of &amp;#039;&amp;#039;Don Juan&amp;#039;&amp;#039; were written between [[1818]] and [[1820]], during which period he made the acquaintance of the Countess Guiccioli, whom he persuaded to leave her husband. It was about this time that he received a visit from Moore, to whom he confided his MS. autobiography, which Moore, in the exercise of the discretion left to him, burned in [[1824]].  &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;At the Villa Diodati, kept indoors by the &amp;quot;incessant rain&amp;quot; of that &amp;quot;wet, ungenial summer&amp;quot;, over three days in June the five turned to reading fantastical stories, including &amp;quot;Fantasmagoriana&amp;quot; (in the French edition), and then devising their own tales. Mary Shelley produced what would become &amp;#039;&amp;#039;Frankenstein, or The Modern Prometheus&amp;#039;&amp;#039; and Polidori was inspired by a fragmentary story of Byron&amp;#039;s to produce &amp;#039;&amp;#039;The Vampyre&amp;#039;&amp;#039;, the progenitor of the romantic vampire genre. Byron&amp;#039;s story fragment was published as a postscript to &amp;#039;&amp;#039;Mazeppa&amp;#039;&amp;#039;; he also wrote the third canto of &amp;#039;&amp;#039;Childe Harold&amp;#039;&amp;#039;. Byron wintered in Venice, where he formed a connection with Jane Clairmont, the daughter of William Godwin&amp;#039;s second wife.  In [[1817]] he was in Rome, whence returning to Venice he wrote the fourth canto of &amp;#039;&amp;#039;Childe Harold&amp;#039;&amp;#039;. About the same time he sold Newstead and published &amp;#039;&amp;#039;Manfred&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Cain&amp;#039;&amp;#039;, and &amp;#039;&amp;#039;The Deformed Transformed&amp;#039;&amp;#039;. The first five cantos of &amp;#039;&amp;#039;Don Juan&amp;#039;&amp;#039; were written between [[1818]] and [[1820]], during which period he made the acquaintance of the Countess Guiccioli, whom he persuaded to leave her husband. It was about this time that he received a visit from Moore, to whom he confided his MS. autobiography, which Moore, in the exercise of the discretion left to him, burned in [[1824]].  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While living in Venice helped to compile an Armenian grammar textbook and translated two of St. Paul&amp;#039;s epistles into English. His next move was to Ravenna, where he wrote much, chiefly dramas, including &amp;#039;&amp;#039;Marino Faliero&amp;#039;&amp;#039;. In [[1821]]-[[1822|22]] he finished cantos 6-12 of &amp;#039;&amp;#039;Don Juan&amp;#039;&amp;#039; at Pisa, and in the same year he joined with Leigh Hunt in starting a short-lived newspaper, &amp;#039;&amp;#039;The Liberal&amp;#039;&amp;#039;, in the first number of which appeared The Vision of Judgment. His last Italian home was Genoa, where he was still accompanied by the Countess, and where he lived until [[1823]], when he offered himself as an ally to the Greek insurgents. By [[1823]] Byron had grown bored with his life in Genoa with his mistress, the Contessa Guiccioli. When the representatives of the movement for [[Greece|Greek]] independence from the Ottoman Empire contacted him to ask for his support, he accepted. On [[July 16]], Byron left Genoa on the &amp;#039;&amp;#039;Hercules&amp;#039;&amp;#039;, arriving at [[Kefalonia]] in the [[Ionian Islands]] on [[August 2]]. He spent £4000 of his own money to refit the Greek fleet, then sailed for [[Messolonghi]] in western Greece, arriving on [[December 29]] to join Prince [[Alexandros Mavrokordatos]], leader of the Greek rebel forces. In Kefalonia he met a Greek boy, Loukas Chalandritsanos, whom he employed as a page and with whom he developed an emotional relationship.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While living in Venice helped to compile an Armenian grammar textbook and translated two of St. Paul&amp;#039;s epistles into English. His next move was to Ravenna, where he wrote much, chiefly dramas, including &amp;#039;&amp;#039;Marino Faliero&amp;#039;&amp;#039;. In [[1821]]-[[1822|22]] he finished cantos 6-12 of &amp;#039;&amp;#039;Don Juan&amp;#039;&amp;#039; at Pisa, and in the same year he joined with Leigh Hunt in starting a short-lived newspaper, &amp;#039;&amp;#039;The Liberal&amp;#039;&amp;#039;, in the first number of which appeared The Vision of Judgment. His last Italian home was Genoa, where he was still accompanied by the Countess, and where he lived until [[1823]], when he offered himself as an ally to the Greek insurgents. By [[1823]] Byron had grown bored with his life in Genoa with his mistress, the Contessa Guiccioli. When the representatives of the movement for [[Greece|Greek]] independence from the Ottoman Empire contacted him to ask for his support, he accepted. On [[July 16]], Byron left Genoa on the &amp;#039;&amp;#039;Hercules&amp;#039;&amp;#039;, arriving at [[Kefalonia]] in the [[Ionian Islands]] on [[August 2]]. He spent £4000 of his own money to refit the Greek fleet, then sailed for [[Messolonghi]] in western Greece, arriving on [[December 29]] to join Prince [[Alexandros Mavrokordatos]], leader of the Greek rebel forces. In &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Kefalonia&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;he met a Greek boy, Loukas Chalandritsanos, whom he employed as a page and with whom he developed an emotional relationship.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Mavrokordatos and Byron planned to attack the Turkish-held fortress of [[Lepanto]], at the mouth of the [[Gulf of Corinth]]. Byron employed a fire-master to prepare artillery and took part of the rebel army under his own command and pay, despite his lack of military experience. But before the expedition could sail, on [[February 15]] [[1824]], he fell ill, and the usual remedy of bleeding weakened him further. He made a partial recovery, but in early April he caught a violent cold which the bleeding -- insisted on by his doctors -- aggravated. The cold became a violent fever, and he died on [[April 19]]. The Greeks mourned Lord Byron deeply, and he became a national hero. &amp;#039;&amp;#039;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Viron&lt;/del&gt;&amp;#039;&amp;#039;, the Greek form of &amp;quot;Byron&amp;quot;, continues in popularity as a masculine name in Greece, and a suburb of Athens is called [[Vironas]] in his honour. His body was embalmed and his heart buried under a tree in [[Messolonghi]]. His remains were sent to England for burial in Westminster Abbey, but the Abbey refused.  He is buried at the Church of St. Mary Magdalene in Hucknall, Nottingham. At her request, Ada, the child he never knew, was buried next to him. In later years, the Abbey allowed a duplicate of a marble slab given by the [[List of Kings of Greece | King of Greece]], which is laid directly above Byron&amp;#039;s grave. In [[1969]], 145 years after Byron&amp;#039;s death, a memorial to him was finally placed in Westminster Abbey.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Mavrokordatos and Byron planned to attack the Turkish-held fortress of [[Lepanto]], at the mouth of the [[Gulf of Corinth]]. Byron employed a fire-master to prepare artillery and took part of the rebel army under his own command and pay, despite his lack of military experience. But before the expedition could sail, on [[February 15]] [[1824]], he fell ill, and the usual remedy of bleeding weakened him further. He made a partial recovery, but in early April he caught a violent cold which the bleeding -- insisted on by his doctors -- aggravated. The cold became a violent fever, and he died on [[April 19]]. The Greeks mourned Lord Byron deeply, and he became a national hero. &amp;#039;&amp;#039;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Vyron&lt;/ins&gt;&amp;#039;&amp;#039;, the Greek form of &amp;quot;Byron&amp;quot;, continues in popularity as a masculine name in Greece, and a suburb of Athens is called [[Vironas]] in his honour. His body was embalmed and his heart buried under a tree in [[Messolonghi]]. His remains were sent to England for burial in Westminster Abbey, but the Abbey refused.  He is buried at the Church of St. Mary Magdalene in Hucknall, Nottingham. At her request, Ada, the child he never knew, was buried next to him. In later years, the Abbey allowed a duplicate of a marble slab given by the [[List of Kings of Greece | King of Greece]], which is laid directly above Byron&amp;#039;s grave. In [[1969]], 145 years after Byron&amp;#039;s death, a memorial to him was finally placed in Westminster Abbey.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Upon his death, the baronage passed to a cousin, George Anson Byron (1789&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;amp;ndash;&lt;/del&gt;1868), a career military officer and Byron&amp;#039;s polar opposite in temperament and lifestyle. Lord Byron, by all accounts, had a particularly attractive personality &amp;amp;ndash; one may say astonishingly so. He obtained a reputation as being unconventional, eccentric, flamboyant and controversial. Many attribute some of Byron&amp;#039;s extraordinary abilities to his affliction with bipolar disorder, commonly known as manic depression. Byron had a great fondness for animals, most famously for a Newfoundland dog named Boatswain; when Boatswain contracted rabies, Byron reportedly nursed him without any fear of becoming bitten and infected. Boatswain lies buried at Newstead Abbey and has a monument larger than his master&amp;#039;s. The inscription, Byron&amp;#039;s &amp;quot;Epitaph to a dog&amp;quot;, has become one of his best-known works:&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Upon his death, the baronage passed to a cousin, George Anson Byron (1789&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;-&lt;/ins&gt;1868), a career military officer and Byron&amp;#039;s polar opposite in temperament and lifestyle. Lord Byron, by all accounts, had a particularly attractive personality &amp;amp;ndash; one may say astonishingly so. He obtained a reputation as being unconventional, eccentric, flamboyant and controversial. Many attribute some of Byron&amp;#039;s extraordinary abilities to his affliction with bipolar disorder, commonly known as manic depression. Byron had a great fondness for animals, most famously for a Newfoundland dog named Boatswain; when Boatswain contracted rabies, Byron reportedly nursed him without any fear of becoming bitten and infected. Boatswain lies buried at Newstead Abbey and has a monument larger than his master&amp;#039;s. The inscription, Byron&amp;#039;s &amp;quot;Epitaph to a dog&amp;quot;, has become one of his best-known works:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;::NEAR this spot&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;::NEAR this spot&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Irlandos</name></author>
	</entry>
	<entry>
		<id>https://wiki.phantis.com/index.php?title=Lord_Byron&amp;diff=47832&amp;oldid=prev</id>
		<title>Irlandos: /* External links */</title>
		<link rel="alternate" type="text/html" href="https://wiki.phantis.com/index.php?title=Lord_Byron&amp;diff=47832&amp;oldid=prev"/>
		<updated>2012-04-28T09:17:31Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;External links&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 09:17, April 28, 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l117&quot; &gt;Line 117:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 117:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.imdb.com/name/nm0126406/ Films based on Byron&amp;#039;s life and works]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.imdb.com/name/nm0126406/ Films based on Byron&amp;#039;s life and works]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.bbc.co.uk/drama/byron.shtml 2003 Television dramatization of Byron&amp;#039;s life by the] BBC&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.bbc.co.uk/drama/byron.shtml 2003 Television dramatization of Byron&amp;#039;s life by the] BBC&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.abcgallery.com/T/turner/turner15.html Painting of Childe Harold by] &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[J._M._W._Turner|&lt;/del&gt;Turner&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.abcgallery.com/T/turner/turner15.html Painting of Childe Harold by] Turner&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.praxxis.co.uk/credebyron/menagerie.htm Detailed account of Byron&amp;#039;s love for animals]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.praxxis.co.uk/credebyron/menagerie.htm Detailed account of Byron&amp;#039;s love for animals]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://readytogoebooks.com/LB-dog63.htm Inscription on the monument to Boatswain, Byron&amp;#039;s dog]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://readytogoebooks.com/LB-dog63.htm Inscription on the monument to Boatswain, Byron&amp;#039;s dog]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Irlandos</name></author>
	</entry>
	<entry>
		<id>https://wiki.phantis.com/index.php?title=Lord_Byron&amp;diff=47831&amp;oldid=prev</id>
		<title>Irlandos: /* Bibliography */</title>
		<link rel="alternate" type="text/html" href="https://wiki.phantis.com/index.php?title=Lord_Byron&amp;diff=47831&amp;oldid=prev"/>
		<updated>2012-04-28T09:17:05Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Bibliography&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 09:17, April 28, 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l74&quot; &gt;Line 74:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 74:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Bibliography==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Bibliography==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;So We&amp;#039;ll Go No More A-Roving&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;&amp;#039;&amp;#039; ([[Wikisource:So We&amp;#039;ll Go No More A-Roving|text on Wikisource]])&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;So We&amp;#039;ll Go No More A-Roving&amp;#039;&amp;#039; ([[Wikisource:So We&amp;#039;ll Go No More A-Roving|text on Wikisource]])&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;The First Kiss of Love&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;&amp;#039;&amp;#039; (1806) ([[Wikisource:The First Kiss of Love|text on Wikisource]])&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;The First Kiss of Love&amp;#039;&amp;#039; (1806) ([[Wikisource:The First Kiss of Love|text on Wikisource]])&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Thoughts Suggested by a College Examination&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;&amp;#039;&amp;#039; (1806) ([[Wikisource:Thoughts Suggested by a College Examination|text on Wikisource]])&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;Thoughts Suggested by a College Examination&amp;#039;&amp;#039; (1806) ([[Wikisource:Thoughts Suggested by a College Examination|text on Wikisource]])&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;To a Beautiful Quaker&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;&amp;#039;&amp;#039; (1807) ([[Wikisource:To a Beautiful Quaker|text on Wikisource]])&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;To a Beautiful Quaker&amp;#039;&amp;#039; (1807) ([[Wikisource:To a Beautiful Quaker|text on Wikisource]])&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;The Cornelian&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;&amp;#039;&amp;#039; (1807) ([[Wikisource:The Cornelian|text on Wikisource]]}&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;The Cornelian&amp;#039;&amp;#039; (1807) ([[Wikisource:The Cornelian|text on Wikisource]]}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Lines Addressed to a Young Lady&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;&amp;#039;&amp;#039; (1807) ([[Wikisource:Lines Addressed to a Young Lady|text on Wikisource]])&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;Lines Addressed to a Young Lady&amp;#039;&amp;#039; (1807) ([[Wikisource:Lines Addressed to a Young Lady|text on Wikisource]])&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Epitaph to a dog&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;&amp;#039;&amp;#039; (1808) ([[Wikisource:Epitaph to a Dog|text on Wikisource]])&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;Epitaph to a dog&amp;#039;&amp;#039; (1808) ([[Wikisource:Epitaph to a Dog|text on Wikisource]])&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;English Bards and Scotch Reviewers&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;&amp;#039;&amp;#039; (1809) [http://readytogoebooks.com/LB-Eng-P1.html]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;English Bards and Scotch Reviewers&amp;#039;&amp;#039; (1809) [http://readytogoebooks.com/LB-Eng-P1.html]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;The Bride of Abydos&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;&amp;#039;&amp;#039; (1813)&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;The Bride of Abydos&amp;#039;&amp;#039; (1813)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;[[The Giaour]]&amp;#039;&amp;#039; (1813) [http://www.photoaspects.com/chesil/byron/giaour.html]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;[[The Giaour]]&amp;#039;&amp;#039; (1813) [http://www.photoaspects.com/chesil/byron/giaour.html]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;She Walks in Beauty&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;&amp;#039;&amp;#039; (1814) ([[Wikisource:She walks in Beauty|text on Wikisource]])&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;She Walks in Beauty&amp;#039;&amp;#039; (1814) ([[Wikisource:She walks in Beauty|text on Wikisource]])&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;The Corsair&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;&amp;#039;&amp;#039; (1814) [http://www.photoaspects.com/chesil/byron/corsair1.html]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;The Corsair&amp;#039;&amp;#039; (1814) [http://www.photoaspects.com/chesil/byron/corsair1.html]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;The Prisoner Of Chillon&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;&amp;#039;&amp;#039; (1816) ([[Wikisource:The Prisoner of Chillon|text on Wikisource]])&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;The Prisoner Of Chillon&amp;#039;&amp;#039; (1816) ([[Wikisource:The Prisoner of Chillon|text on Wikisource]])&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;[[Prometheus (disambiguation)|Prometheus]]&amp;#039;&amp;#039; (1816)&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;[[Prometheus (disambiguation)|Prometheus]]&amp;#039;&amp;#039; (1816)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Manfred&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;&amp;#039;&amp;#039; (1817) ([[Wikisource:Manfred, a dramatic poem|text on Wikisource]])&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;Manfred&amp;#039;&amp;#039; (1817) ([[Wikisource:Manfred, a dramatic poem|text on Wikisource]])&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Childe Harold&amp;#039;s Pilgrimage&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;&amp;#039;&amp;#039; (1818) [http://www.geocities.com/~bblair/chpindex.htm]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;Childe Harold&amp;#039;s Pilgrimage&amp;#039;&amp;#039; (1818) [http://www.geocities.com/~bblair/chpindex.htm]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Beppo &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;(poem by Byron)|Beppo]]&lt;/del&gt;&amp;#039;&amp;#039; (1818)&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;Beppo&amp;#039;&amp;#039; (1818)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Cain &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;(poem by Byron)|Cain]]&lt;/del&gt;&amp;#039;&amp;#039; (1821)&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;Cain&amp;#039;&amp;#039; (1821)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[Don Juan (Byron)|&lt;/del&gt;Don Juan&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;&amp;#039;&amp;#039; (incomplete on Byron&amp;#039;s death in 1824) [http://www.photoaspects.com/chesil/byron/djindex.html]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;Don Juan&amp;#039;&amp;#039; (incomplete on Byron&amp;#039;s death in 1824) [http://www.photoaspects.com/chesil/byron/djindex.html]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==See also==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==See also==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Irlandos</name></author>
	</entry>
	<entry>
		<id>https://wiki.phantis.com/index.php?title=Lord_Byron&amp;diff=30179&amp;oldid=prev</id>
		<title>Irlandos: /* Career */</title>
		<link rel="alternate" type="text/html" href="https://wiki.phantis.com/index.php?title=Lord_Byron&amp;diff=30179&amp;oldid=prev"/>
		<updated>2007-11-06T16:01:41Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Career&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:01, November 6, 2007&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l50&quot; &gt;Line 50:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 50:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Byron wrote prolifically.[http://readytogoebooks.com/LB-list.htm] In [[1833]] his publisher, John Murray, released the complete works in 17 octavo volumes, including a life by &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Thomas Moore&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;.  His magnum opus, &amp;#039;&amp;#039;Don Juan&amp;#039;&amp;#039;, a poem spanning 17 cantos, ranks as one of the most important long poems published in England since Milton&amp;#039;s &amp;#039;&amp;#039;Paradise Lost&amp;#039;&amp;#039;. &amp;#039;&amp;#039;Don Juan&amp;#039;&amp;#039;, Byron&amp;#039;s masterpiece, often called the epic of its time, has roots deep in literary tradition and, although regarded by early Victorians as somewhat shocking, equally involves itself with its own contemporary world at all levels &amp;amp;ndash; social, political, literary and ideological.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Byron wrote prolifically.[http://readytogoebooks.com/LB-list.htm] In [[1833]] his publisher, John Murray, released the complete works in 17 octavo volumes, including a life by Thomas Moore.  His magnum opus, &amp;#039;&amp;#039;Don Juan&amp;#039;&amp;#039;, a poem spanning 17 cantos, ranks as one of the most important long poems published in England since Milton&amp;#039;s &amp;#039;&amp;#039;Paradise Lost&amp;#039;&amp;#039;. &amp;#039;&amp;#039;Don Juan&amp;#039;&amp;#039;, Byron&amp;#039;s masterpiece, often called the epic of its time, has roots deep in literary tradition and, although regarded by early Victorians as somewhat shocking, equally involves itself with its own contemporary world at all levels &amp;amp;ndash; social, political, literary and ideological.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Byronic hero pervades much of Byron&amp;#039;s work. Scholars have traced the literary history of the Byronic hero from Milton, and many authors and artists of the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[Romanticism|&lt;/del&gt;Romantic movement&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/del&gt;show Byron&amp;#039;s influence -- during the [[19th century]] and beyond. The Byronic hero presents an idealised but flawed character whose attributes include:&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Byronic hero pervades much of Byron&amp;#039;s work. Scholars have traced the literary history of the Byronic hero from Milton, and many authors and artists of the Romantic movement show Byron&amp;#039;s influence -- during the [[19th century]] and beyond. The Byronic hero presents an idealised but flawed character whose attributes include:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* rebelling&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* rebelling&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* having a distaste for society and social institutions  &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* having a distaste for society and social institutions  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Irlandos</name></author>
	</entry>
	<entry>
		<id>https://wiki.phantis.com/index.php?title=Lord_Byron&amp;diff=30178&amp;oldid=prev</id>
		<title>Irlandos: /* Byron After Death */</title>
		<link rel="alternate" type="text/html" href="https://wiki.phantis.com/index.php?title=Lord_Byron&amp;diff=30178&amp;oldid=prev"/>
		<updated>2007-11-06T16:01:14Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Byron After Death&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:01, November 6, 2007&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l67&quot; &gt;Line 67:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 67:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The re-founding of the  Byron Society [http://www.byronsociety.com] in [[1971]] reflects the fascination that many people have for Byron and his work. This society has become very active, publishing a learned annual journal. Today some 36 International Byron Societies function throughout the world, and an International Conference takes place annually. Hardly a year passes without a new book about the poet appearing. In the last 20 years two new feature films about him have screened, and a television play has been broadcast.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The re-founding of the  Byron Society [http://www.byronsociety.com] in [[1971]] reflects the fascination that many people have for Byron and his work. This society has become very active, publishing a learned annual journal. Today some 36 International Byron Societies function throughout the world, and an International Conference takes place annually. Hardly a year passes without a new book about the poet appearing. In the last 20 years two new feature films about him have screened, and a television play has been broadcast.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Byron exercised a marked influence on Continental literature and art, and his reputation as poet is higher in many European countries than in England or America, although not as high as in his time. He has also appeared as a character in poular fiction, a testament to his influence. John Crowley&amp;#039;s novel &amp;#039;&amp;#039;Lord Byron&amp;#039;s Novel: The Evening Land&amp;#039;&amp;#039; (2005) involves the rediscovery of a lost manuscript by Lord Byron, as does Frederick Prokosch&amp;#039;s &amp;#039;&amp;#039;The Missolonghi Manuscript&amp;#039;&amp;#039; (1968).  Byron appears as a character in Tim Powers&amp;#039; &amp;#039;&amp;#039;The Stress of Her Regard&amp;#039;&amp;#039; (1989) and Walter Jon Williams&amp;#039; novella &amp;#039;&amp;#039;Wall, Stone Craft&amp;#039;&amp;#039; (1994), as also in Susanna Clarke&amp;#039;s &amp;#039;&amp;#039;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Jonathan Strange &amp;amp; Mr Norrell&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;&amp;#039;&amp;#039; (2004). &amp;#039;&amp;#039;The Black Drama&amp;#039;&amp;#039; by Manly Wade Wellman (&amp;#039;&amp;#039;Weird Tales&amp;#039;&amp;#039;, 1938; &amp;#039;&amp;#039;Fearful Rock and Other Precarious Locales&amp;#039;&amp;#039;, 2001) involves the rediscovery and production of a lost play by Byron (from which Polidori&amp;#039;s &amp;#039;&amp;#039;The Vampyre&amp;#039;&amp;#039; was plagiarised) by a man who purports to be a descendant of the poet.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Byron exercised a marked influence on Continental literature and art, and his reputation as poet is higher in many European countries than in England or America, although not as high as in his time. He has also appeared as a character in poular fiction, a testament to his influence. John Crowley&amp;#039;s novel &amp;#039;&amp;#039;Lord Byron&amp;#039;s Novel: The Evening Land&amp;#039;&amp;#039; (2005) involves the rediscovery of a lost manuscript by Lord Byron, as does Frederick Prokosch&amp;#039;s &amp;#039;&amp;#039;The Missolonghi Manuscript&amp;#039;&amp;#039; (1968).  Byron appears as a character in Tim Powers&amp;#039; &amp;#039;&amp;#039;The Stress of Her Regard&amp;#039;&amp;#039; (1989) and Walter Jon Williams&amp;#039; novella &amp;#039;&amp;#039;Wall, Stone Craft&amp;#039;&amp;#039; (1994), as also in Susanna Clarke&amp;#039;s &amp;#039;&amp;#039;Jonathan Strange &amp;amp; Mr Norrell&amp;#039;&amp;#039; (2004). &amp;#039;&amp;#039;The Black Drama&amp;#039;&amp;#039; by Manly Wade Wellman (&amp;#039;&amp;#039;Weird Tales&amp;#039;&amp;#039;, 1938; &amp;#039;&amp;#039;Fearful Rock and Other Precarious Locales&amp;#039;&amp;#039;, 2001) involves the rediscovery and production of a lost play by Byron (from which Polidori&amp;#039;s &amp;#039;&amp;#039;The Vampyre&amp;#039;&amp;#039; was plagiarised) by a man who purports to be a descendant of the poet.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1997, Jonathan Firth, brother of famous actor Colin Firth, played Lord Byron in an episode of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Highlander: The Series&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/del&gt;titled &amp;quot;The Modern Prometheus&amp;quot;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1997, Jonathan Firth, brother of famous actor Colin Firth, played Lord Byron in an episode of Highlander: The Series titled &amp;quot;The Modern Prometheus&amp;quot;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Bibliography==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Bibliography==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Irlandos</name></author>
	</entry>
	<entry>
		<id>https://wiki.phantis.com/index.php?title=Lord_Byron&amp;diff=30177&amp;oldid=prev</id>
		<title>Irlandos: /* See also */</title>
		<link rel="alternate" type="text/html" href="https://wiki.phantis.com/index.php?title=Lord_Byron&amp;diff=30177&amp;oldid=prev"/>
		<updated>2007-11-06T16:00:22Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;See also&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:00, November 6, 2007&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l96&quot; &gt;Line 96:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 96:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==See also==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==See also==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Lord Byron (chronology)]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Lord Byron (chronology)]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Bridge of Sighs]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Byron&amp;#039;s Love Affairs]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[3306 Byron|Asteroid 3306 Byron]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Henry Edward Yelverton, 19th Baron Grey de Ruthyn]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Irlandos</name></author>
	</entry>
	<entry>
		<id>https://wiki.phantis.com/index.php?title=Lord_Byron&amp;diff=15823&amp;oldid=prev</id>
		<title>Irlandos at 15:11, June 18, 2006</title>
		<link rel="alternate" type="text/html" href="https://wiki.phantis.com/index.php?title=Lord_Byron&amp;diff=15823&amp;oldid=prev"/>
		<updated>2006-06-18T15:11:31Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:11, June 18, 2006&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;George Gordon (Noel) Byron, 6th Baron Byron&amp;#039;&amp;#039;&amp;#039; ([[January 22]], [[1788]]&amp;amp;ndash;[[April 19]], [[1824]]) was an English poet and leading figure in Romanticism. Among his best-known works are the narrative poems &amp;#039;&amp;#039;Childe Harold&amp;#039;s Pilgrimage&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Don Juan&amp;#039;&amp;#039;. The latter remained incomplete on his death.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;George Gordon (Noel) Byron, 6th Baron Byron&amp;#039;&amp;#039;&amp;#039; ([[January 22]], [[1788]]&amp;amp;ndash;[[April 19]], [[1824]]) was an English poet and leading figure in Romanticism. Among his best-known works are the narrative poems &amp;#039;&amp;#039;Childe Harold&amp;#039;s Pilgrimage&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Don Juan&amp;#039;&amp;#039;. The latter remained incomplete on his death.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Byron&amp;#039;s fame rests not only on his writings, but also on his life, which featured extravagant living, numerous love affairs, debts, separation, allegations of incest and bisexuality and an eventual death from fever after he travelled to fight on the [[Greece|Greek]] side in the Greek [[War of Independence]]. He was famously described by &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[Caroline Lamb | &lt;/del&gt;Lady Caroline Lamb&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/del&gt;as &amp;quot;mad, bad, and dangerous to know.&amp;quot;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Byron&amp;#039;s fame rests not only on his writings, but also on his life, which featured extravagant living, numerous love affairs, debts, separation, allegations of incest and bisexuality and an eventual death from fever after he travelled to fight on the [[Greece|Greek]] side in the Greek [[War of Independence]]. He was famously described by Lady Caroline Lamb as &amp;quot;mad, bad, and dangerous to know.&amp;quot;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Byron was also the father of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Ada Lovelace&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Byron was also the father of Ada Lovelace.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Life==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Life==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l16&quot; &gt;Line 16:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1812, Byron embarked on a well-publicised affair with Lady Caroline Lamb.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1812, Byron embarked on a well-publicised affair with Lady Caroline Lamb.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Rumors suggest around this period he also fell in love with a choir boy, though scholars dispute the veracity and relevance of this. For his half-sister, [[Augusta Leigh]], he wrote many passionate poems. She had been separated from her husband since 1811 when she gave birth on [[April 15]], [[1814]] to a daughter, Medora. Byron&amp;#039;s joy over the birth seems to substantiate the rumors of an incestuous relationship. Byron married &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Anne Isabella Milbanke&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/del&gt;(&amp;quot;Annabella&amp;quot;), a cousin of the Lady Caroline, who had refused him in the previous year.  They married at Seaham Hall, County Durham on [[January 2]], [[1815]]. Later, when Annabella&amp;#039;s mother died, her will stipulated that her beneficiaries must take her family name in order to inherit. Lord Byron added it and became &amp;#039;&amp;#039;George Gordon Noel Byron&amp;#039;&amp;#039; in 1822. The marriage proved unhappy. He treated her poorly and showed disappointment at the birth of a daughter (&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[Ada Lovelace|&lt;/del&gt;Augusta Ada&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;), rather than a son.  On [[January 16]], [[1816]], Lady Byron left George, taking Ada with her. On [[April 21]], Byron signed the Deed of Separation.  After this break-up of his domestic life, Byron again left England, as it turned out, for ever. Byron passed through Belgium and up the Rhine; in the summer of 1816 Lord Byron and his personal physician, John William Polidori settled in Switzerland, at the Villa Diodati by Lake Geneva. There he became friends with the poet Percy Bysshe Shelley, and Shelley&amp;#039;s wife-to-be Mary Godwin. He was also joined by Mary&amp;#039;s step-sister, Claire Clairmont, with whom he had had an affair in London. Byron initially refused to have anything to do with Claire, and would only agree to remain in her presence with the Shelleys, who eventually persuaded Byron to accept and provide for Allegra, the child she bore him in January [[1817]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Rumors suggest around this period he also fell in love with a choir boy, though scholars dispute the veracity and relevance of this. For his half-sister, [[Augusta Leigh]], he wrote many passionate poems. She had been separated from her husband since 1811 when she gave birth on [[April 15]], [[1814]] to a daughter, Medora. Byron&amp;#039;s joy over the birth seems to substantiate the rumors of an incestuous relationship. Byron married Anne Isabella Milbanke (&amp;quot;Annabella&amp;quot;), a cousin of the Lady Caroline, who had refused him in the previous year.  They married at Seaham Hall, County Durham on [[January 2]], [[1815]]. Later, when Annabella&amp;#039;s mother died, her will stipulated that her beneficiaries must take her family name in order to inherit. Lord Byron added it and became &amp;#039;&amp;#039;George Gordon Noel Byron&amp;#039;&amp;#039; in 1822. The marriage proved unhappy. He treated her poorly and showed disappointment at the birth of a daughter (Augusta Ada), rather than a son.  On [[January 16]], [[1816]], Lady Byron left George, taking Ada with her. On [[April 21]], Byron signed the Deed of Separation.  After this break-up of his domestic life, Byron again left England, as it turned out, for ever. Byron passed through Belgium and up the Rhine; in the summer of 1816 Lord Byron and his personal physician, John William Polidori settled in Switzerland, at the Villa Diodati by Lake Geneva. There he became friends with the poet Percy Bysshe Shelley, and Shelley&amp;#039;s wife-to-be Mary Godwin. He was also joined by Mary&amp;#039;s step-sister, Claire Clairmont, with whom he had had an affair in London. Byron initially refused to have anything to do with Claire, and would only agree to remain in her presence with the Shelleys, who eventually persuaded Byron to accept and provide for Allegra, the child she bore him in January [[1817]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;At the Villa Diodati, kept indoors by the &amp;quot;incessant rain&amp;quot; of that &amp;quot;wet, ungenial summer&amp;quot;, over three days in June the five turned to reading fantastical stories, including &amp;quot;Fantasmagoriana&amp;quot; (in the French edition), and then devising their own tales. Mary Shelley produced what would become &amp;#039;&amp;#039;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[Frankenstein|&lt;/del&gt;Frankenstein, or The Modern Prometheus&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;&amp;#039;&amp;#039; and Polidori was inspired by a fragmentary story of Byron&amp;#039;s to produce &amp;#039;&amp;#039;The Vampyre&amp;#039;&amp;#039;, the progenitor of the romantic vampire genre. Byron&amp;#039;s story fragment was published as a postscript to &amp;#039;&amp;#039;Mazeppa&amp;#039;&amp;#039;; he also wrote the third canto of &amp;#039;&amp;#039;Childe Harold&amp;#039;&amp;#039;. Byron wintered in Venice, where he formed a connection with Jane Clairmont, the daughter of William Godwin&amp;#039;s second wife.  In [[1817]] he was in Rome, whence returning to Venice he wrote the fourth canto of &amp;#039;&amp;#039;Childe Harold&amp;#039;&amp;#039;. About the same time he sold Newstead and published &amp;#039;&amp;#039;Manfred&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Cain&amp;#039;&amp;#039;, and &amp;#039;&amp;#039;The Deformed Transformed&amp;#039;&amp;#039;. The first five cantos of &amp;#039;&amp;#039;Don Juan&amp;#039;&amp;#039; were written between [[1818]] and [[1820]], during which period he made the acquaintance of the Countess Guiccioli, whom he persuaded to leave her husband. It was about this time that he received a visit from Moore, to whom he confided his MS. autobiography, which Moore, in the exercise of the discretion left to him, burned in [[1824]].  &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;At the Villa Diodati, kept indoors by the &amp;quot;incessant rain&amp;quot; of that &amp;quot;wet, ungenial summer&amp;quot;, over three days in June the five turned to reading fantastical stories, including &amp;quot;Fantasmagoriana&amp;quot; (in the French edition), and then devising their own tales. Mary Shelley produced what would become &amp;#039;&amp;#039;Frankenstein, or The Modern Prometheus&amp;#039;&amp;#039; and Polidori was inspired by a fragmentary story of Byron&amp;#039;s to produce &amp;#039;&amp;#039;The Vampyre&amp;#039;&amp;#039;, the progenitor of the romantic vampire genre. Byron&amp;#039;s story fragment was published as a postscript to &amp;#039;&amp;#039;Mazeppa&amp;#039;&amp;#039;; he also wrote the third canto of &amp;#039;&amp;#039;Childe Harold&amp;#039;&amp;#039;. Byron wintered in Venice, where he formed a connection with Jane Clairmont, the daughter of William Godwin&amp;#039;s second wife.  In [[1817]] he was in Rome, whence returning to Venice he wrote the fourth canto of &amp;#039;&amp;#039;Childe Harold&amp;#039;&amp;#039;. About the same time he sold Newstead and published &amp;#039;&amp;#039;Manfred&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Cain&amp;#039;&amp;#039;, and &amp;#039;&amp;#039;The Deformed Transformed&amp;#039;&amp;#039;. The first five cantos of &amp;#039;&amp;#039;Don Juan&amp;#039;&amp;#039; were written between [[1818]] and [[1820]], during which period he made the acquaintance of the Countess Guiccioli, whom he persuaded to leave her husband. It was about this time that he received a visit from Moore, to whom he confided his MS. autobiography, which Moore, in the exercise of the discretion left to him, burned in [[1824]].  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While living in Venice helped to compile an Armenian grammar textbook and translated two of St. Paul&amp;#039;s epistles into English. His next move was to Ravenna, where he wrote much, chiefly dramas, including &amp;#039;&amp;#039;Marino Faliero&amp;#039;&amp;#039;. In [[1821]]-[[1822|22]] he finished cantos 6-12 of &amp;#039;&amp;#039;Don Juan&amp;#039;&amp;#039; at Pisa, and in the same year he joined with Leigh Hunt in starting a short-lived newspaper, &amp;#039;&amp;#039;The Liberal&amp;#039;&amp;#039;, in the first number of which appeared The Vision of Judgment. His last Italian home was Genoa, where he was still accompanied by the Countess, and where he lived until [[1823]], when he offered himself as an ally to the Greek insurgents. By [[1823]] Byron had grown bored with his life in Genoa with his mistress, the Contessa Guiccioli. When the representatives of the movement for [[Greece|Greek]] independence from the Ottoman Empire contacted him to ask for his support, he accepted. On [[July 16]], Byron left Genoa on the &amp;#039;&amp;#039;Hercules&amp;#039;&amp;#039;, arriving at [[Kefalonia]] in the [[Ionian Islands]] on [[August 2]]. He spent £4000 of his own money to refit the Greek fleet, then sailed for [[Messolonghi]] in western Greece, arriving on [[December 29]] to join Prince [[Alexandros Mavrokordatos]], leader of the Greek rebel forces. In Kefalonia he met a Greek boy, Loukas Chalandritsanos, whom he employed as a page and with whom he developed an emotional relationship.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While living in Venice helped to compile an Armenian grammar textbook and translated two of St. Paul&amp;#039;s epistles into English. His next move was to Ravenna, where he wrote much, chiefly dramas, including &amp;#039;&amp;#039;Marino Faliero&amp;#039;&amp;#039;. In [[1821]]-[[1822|22]] he finished cantos 6-12 of &amp;#039;&amp;#039;Don Juan&amp;#039;&amp;#039; at Pisa, and in the same year he joined with Leigh Hunt in starting a short-lived newspaper, &amp;#039;&amp;#039;The Liberal&amp;#039;&amp;#039;, in the first number of which appeared The Vision of Judgment. His last Italian home was Genoa, where he was still accompanied by the Countess, and where he lived until [[1823]], when he offered himself as an ally to the Greek insurgents. By [[1823]] Byron had grown bored with his life in Genoa with his mistress, the Contessa Guiccioli. When the representatives of the movement for [[Greece|Greek]] independence from the Ottoman Empire contacted him to ask for his support, he accepted. On [[July 16]], Byron left Genoa on the &amp;#039;&amp;#039;Hercules&amp;#039;&amp;#039;, arriving at [[Kefalonia]] in the [[Ionian Islands]] on [[August 2]]. He spent £4000 of his own money to refit the Greek fleet, then sailed for [[Messolonghi]] in western Greece, arriving on [[December 29]] to join Prince [[Alexandros Mavrokordatos]], leader of the Greek rebel forces. In Kefalonia he met a Greek boy, Loukas Chalandritsanos, whom he employed as a page and with whom he developed an emotional relationship.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Mavrokordatos and Byron planned to attack the Turkish-held fortress of [[Lepanto]], at the mouth of the [[Gulf of Corinth]]. Byron employed a fire-master to prepare artillery and took part of the rebel army under his own command and pay, despite his lack of military experience. But before the expedition could sail, on [[February 15]] [[1824]], he fell ill, and the usual remedy of bleeding weakened him further. He made a partial recovery, but in early April he caught a violent cold which the bleeding -- insisted on by his doctors -- aggravated. The cold became a violent fever, and he died on [[April 19]]. The Greeks mourned Lord Byron deeply, and he became a national hero. &amp;#039;&amp;#039;Viron&amp;#039;&amp;#039;, the Greek form of &amp;quot;Byron&amp;quot;, continues in popularity as a masculine name in Greece, and a suburb of Athens is called [[Vironas]] in his honour. His body was embalmed and his heart buried under a tree in [[Messolonghi]]. His remains were sent to England for burial in Westminster Abbey, but the Abbey refused.  He is buried at the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Church of St. Mary Magdalene&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, Hucknall|Church of St. Mary Magdalene]] &lt;/del&gt;in Hucknall, Nottingham. At her request, Ada, the child he never knew, was buried next to him. In later years, the Abbey allowed a duplicate of a marble slab given by the [[List of Kings of Greece | King of Greece]], which is laid directly above Byron&amp;#039;s grave. In [[1969]], 145 years after Byron&amp;#039;s death, a memorial to him was finally placed in Westminster Abbey.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Mavrokordatos and Byron planned to attack the Turkish-held fortress of [[Lepanto]], at the mouth of the [[Gulf of Corinth]]. Byron employed a fire-master to prepare artillery and took part of the rebel army under his own command and pay, despite his lack of military experience. But before the expedition could sail, on [[February 15]] [[1824]], he fell ill, and the usual remedy of bleeding weakened him further. He made a partial recovery, but in early April he caught a violent cold which the bleeding -- insisted on by his doctors -- aggravated. The cold became a violent fever, and he died on [[April 19]]. The Greeks mourned Lord Byron deeply, and he became a national hero. &amp;#039;&amp;#039;Viron&amp;#039;&amp;#039;, the Greek form of &amp;quot;Byron&amp;quot;, continues in popularity as a masculine name in Greece, and a suburb of Athens is called [[Vironas]] in his honour. His body was embalmed and his heart buried under a tree in [[Messolonghi]]. His remains were sent to England for burial in Westminster Abbey, but the Abbey refused.  He is buried at the Church of St. Mary Magdalene in Hucknall, Nottingham. At her request, Ada, the child he never knew, was buried next to him. In later years, the Abbey allowed a duplicate of a marble slab given by the [[List of Kings of Greece | King of Greece]], which is laid directly above Byron&amp;#039;s grave. In [[1969]], 145 years after Byron&amp;#039;s death, a memorial to him was finally placed in Westminster Abbey.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Upon his death, the baronage passed to a cousin, George Anson Byron (1789&amp;amp;ndash;1868), a career military officer and Byron&amp;#039;s polar opposite in temperament and lifestyle. Lord Byron, by all accounts, had a particularly attractive personality &amp;amp;ndash; one may say astonishingly so. He obtained a reputation as being unconventional, eccentric, flamboyant and controversial. Many attribute some of Byron&amp;#039;s extraordinary abilities to his affliction with bipolar disorder, commonly known as manic depression. Byron had a great fondness for animals, most famously for a Newfoundland dog named Boatswain; when Boatswain contracted rabies, Byron reportedly nursed him without any fear of becoming bitten and infected. Boatswain lies buried at Newstead Abbey and has a monument larger than his master&amp;#039;s. The inscription, Byron&amp;#039;s &amp;quot;Epitaph to a dog&amp;quot;, has become one of his best-known works:&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Upon his death, the baronage passed to a cousin, George Anson Byron (1789&amp;amp;ndash;1868), a career military officer and Byron&amp;#039;s polar opposite in temperament and lifestyle. Lord Byron, by all accounts, had a particularly attractive personality &amp;amp;ndash; one may say astonishingly so. He obtained a reputation as being unconventional, eccentric, flamboyant and controversial. Many attribute some of Byron&amp;#039;s extraordinary abilities to his affliction with bipolar disorder, commonly known as manic depression. Byron had a great fondness for animals, most famously for a Newfoundland dog named Boatswain; when Boatswain contracted rabies, Byron reportedly nursed him without any fear of becoming bitten and infected. Boatswain lies buried at Newstead Abbey and has a monument larger than his master&amp;#039;s. The inscription, Byron&amp;#039;s &amp;quot;Epitaph to a dog&amp;quot;, has become one of his best-known works:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l67&quot; &gt;Line 67:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 67:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The re-founding of the  Byron Society [http://www.byronsociety.com] in [[1971]] reflects the fascination that many people have for Byron and his work. This society has become very active, publishing a learned annual journal. Today some 36 International Byron Societies function throughout the world, and an International Conference takes place annually. Hardly a year passes without a new book about the poet appearing. In the last 20 years two new feature films about him have screened, and a television play has been broadcast.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The re-founding of the  Byron Society [http://www.byronsociety.com] in [[1971]] reflects the fascination that many people have for Byron and his work. This society has become very active, publishing a learned annual journal. Today some 36 International Byron Societies function throughout the world, and an International Conference takes place annually. Hardly a year passes without a new book about the poet appearing. In the last 20 years two new feature films about him have screened, and a television play has been broadcast.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Byron exercised a marked influence on Continental literature and art, and his reputation as poet is higher in many European countries than in England or America, although not as high as in his time. He has also appeared as a character in poular fiction, a testament to his influence. John Crowley&amp;#039;s novel &amp;#039;&amp;#039;Lord Byron&amp;#039;s Novel: The Evening Land&amp;#039;&amp;#039; (2005) involves the rediscovery of a lost manuscript by Lord Byron, as does Frederick Prokosch&amp;#039;s &amp;#039;&amp;#039;The Missolonghi Manuscript&amp;#039;&amp;#039; (1968).  Byron appears as a character in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Tim Powers&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;&amp;#039; &amp;#039;&amp;#039;The Stress of Her Regard&amp;#039;&amp;#039; (1989) and Walter Jon Williams&amp;#039; novella &amp;#039;&amp;#039;Wall, Stone Craft&amp;#039;&amp;#039; (1994), as also in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Susanna Clarke&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;&amp;#039;s &amp;#039;&amp;#039;[[Jonathan Strange &amp;amp; Mr Norrell]]&amp;#039;&amp;#039; (2004). &amp;#039;&amp;#039;The Black Drama&amp;#039;&amp;#039; by &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Manly Wade Wellman&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/del&gt;(&amp;#039;&amp;#039;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Weird Tales&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;&amp;#039;&amp;#039;, 1938; &amp;#039;&amp;#039;Fearful Rock and Other Precarious Locales&amp;#039;&amp;#039;, 2001) involves the rediscovery and production of a lost play by Byron (from which Polidori&amp;#039;s &amp;#039;&amp;#039;The Vampyre&amp;#039;&amp;#039; was plagiarised) by a man who purports to be a descendant of the poet.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Byron exercised a marked influence on Continental literature and art, and his reputation as poet is higher in many European countries than in England or America, although not as high as in his time. He has also appeared as a character in poular fiction, a testament to his influence. John Crowley&amp;#039;s novel &amp;#039;&amp;#039;Lord Byron&amp;#039;s Novel: The Evening Land&amp;#039;&amp;#039; (2005) involves the rediscovery of a lost manuscript by Lord Byron, as does Frederick Prokosch&amp;#039;s &amp;#039;&amp;#039;The Missolonghi Manuscript&amp;#039;&amp;#039; (1968).  Byron appears as a character in Tim Powers&amp;#039; &amp;#039;&amp;#039;The Stress of Her Regard&amp;#039;&amp;#039; (1989) and Walter Jon Williams&amp;#039; novella &amp;#039;&amp;#039;Wall, Stone Craft&amp;#039;&amp;#039; (1994), as also in Susanna Clarke&amp;#039;s &amp;#039;&amp;#039;[[Jonathan Strange &amp;amp; Mr Norrell]]&amp;#039;&amp;#039; (2004). &amp;#039;&amp;#039;The Black Drama&amp;#039;&amp;#039; by Manly Wade Wellman (&amp;#039;&amp;#039;Weird Tales&amp;#039;&amp;#039;, 1938; &amp;#039;&amp;#039;Fearful Rock and Other Precarious Locales&amp;#039;&amp;#039;, 2001) involves the rediscovery and production of a lost play by Byron (from which Polidori&amp;#039;s &amp;#039;&amp;#039;The Vampyre&amp;#039;&amp;#039; was plagiarised) by a man who purports to be a descendant of the poet.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l74&quot; &gt;Line 74:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 74:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Bibliography==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Bibliography==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* {{A Short Biographical Dictionary of English Literature}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;[[So We&amp;#039;ll Go No More A-Roving]]&amp;#039;&amp;#039; ([[Wikisource:So We&amp;#039;ll Go No More A-Roving|text on Wikisource]])&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;[[So We&amp;#039;ll Go No More A-Roving]]&amp;#039;&amp;#039; ([[Wikisource:So We&amp;#039;ll Go No More A-Roving|text on Wikisource]])&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;[[The First Kiss of Love]]&amp;#039;&amp;#039; (1806) ([[Wikisource:The First Kiss of Love|text on Wikisource]])&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;[[The First Kiss of Love]]&amp;#039;&amp;#039; (1806) ([[Wikisource:The First Kiss of Love|text on Wikisource]])&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l103&quot; &gt;Line 103:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 102:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*{{gutenberg author | id=George_Byron | name=George Byron}} for a link to all the works in PG of that author&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[http://www.byronsociety.com The Byron Society]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[http://www.byronsociety.com The Byron Society]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[http://www.byronjournal.com The Byron Society&amp;#039;s Journal]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[http://www.byronjournal.com The Byron Society&amp;#039;s Journal]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l114&quot; &gt;Line 114:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 112:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.gutenberg.net/etext/8901 &amp;#039;&amp;#039;The Works Of Lord Byron, Letters and Journals, Vol. 1&amp;#039;&amp;#039;]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.gutenberg.net/etext/8901 &amp;#039;&amp;#039;The Works Of Lord Byron, Letters and Journals, Vol. 1&amp;#039;&amp;#039;]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.gutenberg.net/etext/9921 &amp;#039;&amp;#039;The Works of Lord Byron: Letters and Journals, Vol. 2&amp;#039;&amp;#039;]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.gutenberg.net/etext/9921 &amp;#039;&amp;#039;The Works of Lord Byron: Letters and Journals, Vol. 2&amp;#039;&amp;#039;]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* The biography &amp;#039;&amp;#039;[http://www.gutenberg.net/etext/10100 Byron]&amp;#039;&amp;#039; by &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;John Nichol&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* The biography &amp;#039;&amp;#039;[http://www.gutenberg.net/etext/10100 Byron]&amp;#039;&amp;#039; by John Nichol&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.online-literature.com/quotes/quotation_search.php?author=George%20Gordon%20Noel%20Byron,%20Lord%20Byron Byron quotes]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.online-literature.com/quotes/quotation_search.php?author=George%20Gordon%20Noel%20Byron,%20Lord%20Byron Byron quotes]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[http://www.literaturecollection.com/a/lord-byron/ Lord George Gordon Byron &amp;amp;ndash; Biography &amp;amp; Works]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[http://www.literaturecollection.com/a/lord-byron/ Lord George Gordon Byron &amp;amp;ndash; Biography &amp;amp; Works]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l122&quot; &gt;Line 122:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 120:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.online-literature.com/byron/ Byron page on The Literature Network]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.online-literature.com/byron/ Byron page on The Literature Network]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.imdb.com/name/nm0126406/ Films based on Byron&amp;#039;s life and works]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.imdb.com/name/nm0126406/ Films based on Byron&amp;#039;s life and works]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.bbc.co.uk/drama/byron.shtml 2003 Television dramatization of Byron&amp;#039;s life by the] &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;BBC&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.bbc.co.uk/drama/byron.shtml 2003 Television dramatization of Byron&amp;#039;s life by the] BBC&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.abcgallery.com/T/turner/turner15.html Painting of Childe Harold by] [[J._M._W._Turner|Turner]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.abcgallery.com/T/turner/turner15.html Painting of Childe Harold by] [[J._M._W._Turner|Turner]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.praxxis.co.uk/credebyron/menagerie.htm Detailed account of Byron&amp;#039;s love for animals]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.praxxis.co.uk/credebyron/menagerie.htm Detailed account of Byron&amp;#039;s love for animals]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Irlandos</name></author>
	</entry>
	<entry>
		<id>https://wiki.phantis.com/index.php?title=Lord_Byron&amp;diff=5452&amp;oldid=prev</id>
		<title>Irlandos at 18:30, November 15, 2005</title>
		<link rel="alternate" type="text/html" href="https://wiki.phantis.com/index.php?title=Lord_Byron&amp;diff=5452&amp;oldid=prev"/>
		<updated>2005-11-15T18:30:50Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;a href=&quot;https://wiki.phantis.com/index.php?title=Lord_Byron&amp;amp;diff=5452&amp;amp;oldid=5441&quot;&gt;Show changes&lt;/a&gt;</summary>
		<author><name>Irlandos</name></author>
	</entry>
	<entry>
		<id>https://wiki.phantis.com/index.php?title=Lord_Byron&amp;diff=5441&amp;oldid=prev</id>
		<title>Irlandos: /* Life */</title>
		<link rel="alternate" type="text/html" href="https://wiki.phantis.com/index.php?title=Lord_Byron&amp;diff=5441&amp;oldid=prev"/>
		<updated>2005-11-15T15:36:46Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Life&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:36, November 15, 2005&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l8&quot; &gt;Line 8:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 8:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Byron was born in London, the son of Captain John &amp;quot;Mad Jack&amp;quot; Byron and of John&amp;#039;s second wife Lady Catherine Gordon, heiress of Gight, Aberdeenshire. His paternal grandfather was &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Vice-Admiral&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] [[John Byron|&lt;/del&gt;John &amp;quot;Foulweather Jack&amp;quot; Byron&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;, who had circumnavigated the globe. He was also the grand-nephew of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;William Byron, 5th Baron Byron&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;, known as &amp;quot;the Wicked Lord&amp;quot;.  From his birth he suffered from a malformation of the feet, causing a slight lameness, which was a cause of lifelong misery to him, aggravated by the knowledge that with proper care it might have been cured. He was christened George Gordon after his maternal grandfather, George Gordon, 12th Laird of Gight, a descendant of James I. This grandfather committed suicide in 1779. Byron&amp;#039;s mother Catherine had to sell her land and title to pay her father&amp;#039;s debts. John Byron may have married Catherine for her money and, after squandering it, deserted her. Byron&amp;#039;s parents separated before his birth. Lady Catherine moved back to Scotland shortly afterwards, where she raised her son in Aberdeen until [[May 21]], [[1798]], when the death of his great-uncle made him the sixth Baron Byron, inheriting &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Newstead Abbey&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;, rented to &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Henry Edward Yelverton, 19th Baron Grey de Ruthyn&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/del&gt;during Byron&amp;#039;s adolescence. He received his formal education at the Grammar School in Aberdeen.  In [[1801]] he was sent to &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[Harrow School|&lt;/del&gt;Harrow&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;, where he remained until 1805, when he proceeded to &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Trinity College, Cambridge&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;|Trinity College]], [[University of Cambridge|Cambridge]]&lt;/del&gt;.   &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Byron was born in London, the son of Captain John &amp;quot;Mad Jack&amp;quot; Byron and of John&amp;#039;s second wife Lady Catherine Gordon, heiress of Gight, Aberdeenshire. His paternal grandfather was Vice-Admiral John &amp;quot;Foulweather Jack&amp;quot; Byron, who had circumnavigated the globe. He was also the grand-nephew of William Byron, 5th Baron Byron, known as &amp;quot;the Wicked Lord&amp;quot;.  From his birth he suffered from a malformation of the feet, causing a slight lameness, which was a cause of lifelong misery to him, aggravated by the knowledge that with proper care it might have been cured. He was christened George Gordon after his maternal grandfather, George Gordon, 12th Laird of Gight, a descendant of James I. This grandfather committed suicide in 1779. Byron&amp;#039;s mother Catherine had to sell her land and title to pay her father&amp;#039;s debts. John Byron may have married Catherine for her money and, after squandering it, deserted her. Byron&amp;#039;s parents separated before his birth. Lady Catherine moved back to Scotland shortly afterwards, where she raised her son in Aberdeen until [[May 21]], [[1798]], when the death of his great-uncle made him the sixth Baron Byron, inheriting Newstead Abbey, rented to Henry Edward Yelverton, 19th Baron Grey de Ruthyn during Byron&amp;#039;s adolescence. He received his formal education at the Grammar School in Aberdeen.  In [[1801]] he was sent to Harrow, where he remained until 1805, when he proceeded to Trinity College, Cambridge.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some early verses which he had published in [[1806]] were suppressed. They were followed in [[1807]] by &amp;#039;&amp;#039;Hours of Idleness&amp;#039;&amp;#039;, which was savagely attacked in the Edinburgh Review. In reply he sent forth &amp;#039;&amp;#039;English Bards and Scotch Reviewers&amp;#039;&amp;#039; ([[1809]]), which created considerable stir and shortly went through 5 editions. In [[1809]] he left England, and passing through Spain, went to Greece. During his absence, which extended over two years, he wrote the first two cantos of &amp;#039;&amp;#039;Childe Harold&amp;#039;&amp;#039;, which were published after his return in [[1812]], and were received with acclamation. In his own words, &amp;quot;I awoke one morning and found myself famous.&amp;quot; He followed up his success with some short poems, &amp;#039;&amp;#039;The Corsair&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Lara&amp;#039;&amp;#039;, etc. About the same time began his intimacy with his future biographer, [[Thomas Moore]].  &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some early verses which he had published in [[1806]] were suppressed. They were followed in [[1807]] by &amp;#039;&amp;#039;Hours of Idleness&amp;#039;&amp;#039;, which was savagely attacked in the Edinburgh Review. In reply he sent forth &amp;#039;&amp;#039;English Bards and Scotch Reviewers&amp;#039;&amp;#039; ([[1809]]), which created considerable stir and shortly went through 5 editions. In [[1809]] he left England, and passing through Spain, went to Greece. During his absence, which extended over two years, he wrote the first two cantos of &amp;#039;&amp;#039;Childe Harold&amp;#039;&amp;#039;, which were published after his return in [[1812]], and were received with acclamation. In his own words, &amp;quot;I awoke one morning and found myself famous.&amp;quot; He followed up his success with some short poems, &amp;#039;&amp;#039;The Corsair&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Lara&amp;#039;&amp;#039;, etc. About the same time began his intimacy with his future biographer, [[Thomas Moore]].  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Irlandos</name></author>
	</entry>
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