Manos Hadjidakis - Revision history

Irlandos at 12:34, May 27, 2010

2010-05-27T12:34:04Z

Irlandos: /* Musical Scores (incomplete) */

2006-10-02T11:17:08Z

Musical Scores (incomplete)

Irlandos at 11:16, October 2, 2006

2006-10-02T11:16:44Z

Lazarus: /* External link */

2005-12-11T20:51:17Z

External link

Lazarus: /* External link */

2005-12-11T20:46:16Z

External link

Lazarus: /* Biography */

2005-10-23T15:52:05Z

Biography

Lazarus at 15:51, October 23, 2005

2005-10-23T15:51:06Z

New page

[[Image:Hadjidakis-1.jpg|right]]

'''Manos Hadjidakis''' (Μάνος Χατζιδάκις) ([[October 23]], [[1925]]–[[June 15]], [[1994]]) was a [[Greece|Greek]] music composer. He was born in [[Xanthi]], Greece. In 1961 he received an Oscar or [[Academy Award]] in the category of Best Music, for his Song ''[[Never on Sunday]]'' from the film of the same name. He is widely popular among Greeks and can be credited with the introduction of [[bouzouki]] music into mainstream culture.

==Biography==

His very first work was the hauntingly beautiful tune for the ditty ''[[Paper Moon]]'' (Hartino to Fengaraki), from Tennessee Williams' ''A Streetcar Named Desire'' staged by [[Karolos Koun]]'s [[Art Theatre of Athens]], a collaboration which continued for 15 years. His first piano piece, "[[For a Small White Seashell]]" (Gia Mia Mikri Lefki Ahivada) came out in [[1947]] and in [[1948]] he shook the musical establishment by delivering his legendary lecture on [[rembetika]], the urban folk songs that flourished in Greek cities, mainly [[Piraeus]], after the [[Asia Minor]] refugee influx in [[1922]] and until then had heavy underworld and cannabis use connections and were consequently looked down upon. Hadjidakis focused on the economy of expression, the deep traditional roots and the genuineness of emotion displayed in rembetika, and exalted the likes of composers like [[Markos Vamvakaris]] and [[Vassilis Tsitsanis]]. Putting theory to practice, he adapted classical rembetika on his [[1951]] piano work ''[[Six Folklore Paintings]]'' (''Exi Laikes Zografies''), which was later also presented as a folk ballet.

At this point he started pursuing a ''double-track career'' of sorts, writing immensely popular "pop" songs and movie soundtracks, alongside more serious works, such as 1954's ''[[The C.N.S. Cycle]]'' (O Kyklos tou C.N.S.), a song cycle for piano and voice recalling the German lied in its form, if not in style. In 1955 he wrote the score for [[Michael Cacoyannis]]' film ''[[Stella (film)|Stella]]'', with actress [[Melina Mercouri]], a close friend of his, singing the movie's trademark song "Love that became a double-edged sword" (Agapi pou 'gines dikopo mahairi). Hadjidakis always maintained that he wrote his serious pieces for himself and his less serious ones to make a living: nevertheless his melodic talent was so abundant that one can hardly distinguish a quality gradient between the two.

In [[1959]], Hadjidakis met [[Nana Mouskouri]], his first "ideal interpreter", a shy but superbly skilled vocalist who shaped the sounds of his music with her uniquely beautiful voice. It was [[1960]] that brought him international success, as his score for [[Jules Dassin]]'s film ''[[Never on Sunday]]'' (Pote tin Kyriaki) won him an Academy Award, with ''[[The Lads from Piraeus]]'' (Ta Paidia tou Peiraia) becoming a huge worldwide hit.

In 1962, he produced the musical '[[Dream Street]]'' (Odos Oneiron) and completed his score for Aristophanes' ''[[Birds]]'' (Ornithes), another Art Theater production which caused an uproar because of Karolos Koun's revolutionary direction. The score was also used later by [[Maurice Béjart]]'s [[20th Century Ballets]].

In [[1965]], his LP "Το Χαμόγελο της Τζιοκόντας" (Gioconda's Smile) was released on Minos-EMI. In [[2004]], it was re-released, digitally remastered as an audiophile LP and a [[CD]] in the EMI Classics collection.

In 1966 he travelled to New York for the premiere of ''[[Ilya Darling]]'', a Broadway musical based on "Never on Sunday" and starring Melina Merkouri. He did not return to Greece until [[1972]], mostly because of opposition to Greece's military dictatorship. While in America he completed several more major compositions, including '''Rhythmology''' ([[Rythmologia]]) for solo piano, his famous orchestral compilation ''[[Gioconda's Smile]]'' (produced by none other than Quincy Jones), and the pinnacle of his musical achievement, the song cycle ''[[Magnus Eroticus]]'' (Megalos Erotikos), in which he used ancient ([[Sappho]], [[Euripides]]), medieval (stanzas from folk songs and [[George Hortatzis]]' romance ''[[Erophile]]'') and modern ([[Dionysios Solomos]], [[Constantine Cavafy]], [[Odysseus Elytis]], [[Nikos Gkatsos]], [[Myrtiotissa]], [[George Sarantaris]]) Greek poems, as well as an excerpt from the Old Testament book "Wisdom of Solomon". His LP "[[Reflections (Manos Hadjidakis album)|Reflections]]" with the [[New York Rock & Roll Ensemble]] contained several of his most beautiful songs, either in orchestral form or with English lyrics written by the band - a record that preceded fusion trends by several decades.

Hadjidakis returned to Greece in [[1972]] and recorded "[[Magnus Eroticus]]" with singer [[Fleury Dantonakis]], an opera-trained dark-toned alto who proved the consummate interpreter of his music, and singer [[Dimitri Psarianos]]. Following the junta's overthrow, he became active in public life and assumed a number of positions in the [[Athens State Orchestra]] (KOA), [[National Opera]] (ELS), and the National Radio ([[Elliniki Radiophonia Tileorassi|ERT]]). In [[1985]] he launched his own record company "Seirios" (Sirius). In 1989 he founded and directed the [[Orchestra of Colours]] (Orhistra ton Chromaton), a small symphonic orchestra.

He was to assume the role of score composer for his friend [[Federico Fellini]]'s films, following [[Nino Rota]]'s death, but the collaboration never materialized because of Hadjidakis' mounting health problems. He died on June 15, 1994, of heart disease and diabetes.

==Musical Scores== (incomplete)

* ''[[Adoulotoi Sklavoi]]'' - Unsubdued Slaves - US title ([[1946]])
* ''[[Kokkinos Vrahos]]'' ([[1949]])
* ''[[Dyo Kosmi]]'' - 'The Two Worlds'' (1949)
* ''[[Nekri Politeia]]'' - Dead City - US title ([[1951]])
* ''[[O Grousouzis]]'' - The Grouch - US title ([[1952]])
* ''[[Agni Tou Limaniou]]'' - Lily of the Harbour - US title (1952)
* Pote Tin Kyriaki (Ποτέ Την Κυριακή) - ''Never on Sunday - US title'' ([[1960]])
* Το Χαμόγελο Της Τζιοκόντας - Gioconda's Smile (1964)
* ''[[Reflections (Manos Hadjidakis album)|Reflections]]'' (1969) - Performed by the [[New York Rock & Roll Ensemble]]

==External link==
*[http://www.hadjidakis.gr Official Site for Manos Hadjidakis]

[[Category:1925 births|Hadjidakis, Manos]]
[[Category:1994 deaths|Hadjidakis, Manos]]
[[Category:Film score composers|Hadjidakis, Manos]]
[[Category:Composers|Hadjidakis, Manos]]

[[el:Μάνος Χατζιδάκις]]

@@ Line 1: / Line 1: @@
 [[Image:Hadjidakis-1.jpg|right]]
-'''Manos Hadjidakis''' (Μάνος Χατζιδάκις) ([[October 23]], [[1925]]&ndash;[[June 15]], [[1994]]) was a [[Greece|Greek]] music composer. He was born in [[Xanthi]], Greece. In [[1961]] he received an Oscar or [[Academy Award]] in the category of Best Music, for his Song ''[[Never on Sunday]]'' from the film of the same name. He is widely popular among Greeks and can be credited with the introduction of [[bouzouki]] music into mainstream culture.
+'''Manos Hadjidakis''' (Μάνος Χατζιδάκις) ([[October 23]], [[1925]]&ndash;[[June 15]], [[1994]]) was a [[Greeks|Greek]] music composer. He was born in [[Xanthi]], [[Thrace]], [[Greece]]. In [[1961]], he received an Oscar or Academy Award in the category of Best Music, for his Song ''[[Never on Sunday]]'' from the film of the same name. He is widely popular among Greeks and can be credited with the introduction of [[bouzouki]] music into mainstream culture.
 ==Biography==
-His very first work was the hauntingly beautiful tune for the ditty ''[[Paper Moon]]'' (Hartino to Fengaraki), from Tennessee Williams' ''A Streetcar Named Desire'' staged by [[Karolos Koun]]'s [[Art Theatre of Athens]], a collaboration which continued for 15 years.  His first piano piece, "[[For a Small White Seashell]]" (Gia Mia Mikri Lefki Ahivada) came out in [[1947]] and in [[1948]] he shook the musical establishment by delivering his legendary lecture on [[rembetika]], the urban folk songs that flourished in Greek cities, mainly [[Piraeus]], after the [[Asia Minor]] refugee influx in [[1922]] and until then had heavy underworld and cannabis use connections and were consequently looked down upon.  Hadjidakis focused on the economy of expression, the deep traditional roots and the genuineness of emotion displayed in rembetika, and exalted the likes of composers like [[Markos Vamvakaris]] and [[Vassilis Tsitsanis]].  Putting theory to practice, he adapted classical rembetika on his [[1951]] piano work ''[[Six Folklore Paintings]]'' (''Exi Laikes Zografies''), which was later also presented as a folk ballet.
+His very first work was the hauntingly beautiful tune for the ditty ''Paper Moon'' (Hartino to Fengaraki), from Tennessee Williams' ''A Streetcar Named Desire'' staged by [[Karolos Koun]]'s [[Art Theatre of Athens]], a collaboration which continued for 15 years.  His first piano piece, "[[For a Small White Seashell]]" (Gia Mia Mikri Lefki Ahivada) came out in [[1947]] and in [[1948]] he shook the musical establishment by delivering his legendary lecture on [[rembetika]], the urban folk songs that flourished in Greek cities, mainly [[Piraeus]], after the [[Asia Minor]] refugee influx in [[1922]] and until then had heavy underworld and cannabis use connections and were consequently looked down upon.  Hadjidakis focused on the economy of expression, the deep traditional roots and the genuineness of emotion displayed in rembetika, and exalted the likes of composers like [[Markos Vamvakaris]] and [[Vassilis Tsitsanis]].  Putting theory to practice, he adapted classical rembetika on his [[1951]] piano work ''[[Six Folklore Paintings]]'' (''Exi Laikes Zografies''), which was later also presented as a folk ballet.
 At this point he started pursuing a ''double-track career'' of sorts, writing immensely popular "pop" songs and movie soundtracks, alongside more serious works, such as 1954's ''[[The C.N.S. Cycle]]'' (O Kyklos tou C.N.S.), a song cycle for piano and voice recalling the German lied in its form, if not in style.  In 1955 he wrote the score for [[Michael Cacoyannis]]' film ''[[Stella (film)|Stella]]'', with actress [[Melina Mercouri]], a close friend of his, singing the movie's trademark song "Love that became a double-edged sword" (Agapi pou 'gines dikopo mahairi).  Hadjidakis always maintained that he wrote his serious pieces for himself and his less serious ones to make a living: nevertheless his melodic talent was so abundant that one can hardly distinguish a quality gradient between the two.
@@ Line 13: / Line 13: @@
 In 1962, he produced the musical '[[Dream Street]]'' (Odos Oneiron) and completed his score for Aristophanes' ''[[Birds]]'' (Ornithes), another Art Theater production which caused an uproar because of Karolos Koun's revolutionary direction.  The score was also used later by [[Maurice Béjart]]'s [[20th Century Ballets]].
-In [[1965]], his LP "Το Χαμόγελο της Τζιοκόντας" (Gioconda's Smile) was released on Minos-EMI. In [[2004]], it was re-released, digitally remastered as an audiophile LP and a [[CD]] in the EMI Classics collection.
+In [[1965]], his LP "Το Χαμόγελο της Τζιοκόντας" (Gioconda's Smile) was released on Minos-EMI. In [[2004]], it was re-released, digitally remastered as an audiophile LP and a CD in the EMI Classics collection.
-In 1966 he travelled to New York for the premiere of ''[[Ilya Darling]]'', a Broadway musical based on "Never on Sunday" and starring Melina Merkouri. He did not return to Greece until [[1972]], mostly because of opposition to Greece's military dictatorship.  While in America he completed several more major compositions, including '''Rhythmology''' ([[Rythmologia]]) for solo piano, his famous orchestral compilation ''[[Gioconda's Smile]]'' (produced by none other than Quincy Jones), and the pinnacle of his musical achievement, the song cycle ''[[Magnus Eroticus]]'' (Megalos Erotikos), in which he used ancient ([[Sappho]], [[Euripides]]), medieval (stanzas from folk songs and [[George Hortatzis]]' romance ''[[Erophile]]'') and modern ([[Dionysios Solomos]], [[Constantine Cavafy]], [[Odysseus Elytis]], [[Nikos Gkatsos]], [[Myrtiotissa]], [[George Sarantaris]]) Greek poems, as well as an excerpt from the Old Testament book "Wisdom of Solomon".  His LP "[[Reflections (Manos Hadjidakis album)|Reflections]]" with the New York Rock & Roll Ensemble contained several of his most beautiful songs, either in orchestral form or with English lyrics written by the band -  a record that preceded fusion trends by several decades.
+In [[1966]], he travelled to New York for the premiere of ''[[Ilya Darling]]'', a Broadway musical based on "Never on Sunday" and starring Melina Merkouri. He did not return to Greece until [[1972]], mostly because of opposition to Greece's military dictatorship.  While in America he completed several more major compositions, including '''Rhythmology''' ([[Rythmologia]]) for solo piano, his famous orchestral compilation ''[[Gioconda's Smile]]'' (produced by none other than Quincy Jones), and the pinnacle of his musical achievement, the song cycle ''[[Magnus Eroticus]]'' (Megalos Erotikos), in which he used ancient ([[Sappho]], [[Euripides]]), medieval (stanzas from folk songs and [[George Hortatzis]]' romance ''[[Erophile]]'') and modern ([[Dionysios Solomos]], [[Constantine Cavafy]], [[Odysseus Elytis]], [[Nikos Gatsos]], [[Myrtiotissa]], [[George Sarantaris]]) Greek poems, as well as an excerpt from the Old Testament book "Wisdom of Solomon".  His LP "[[Reflections (Manos Hadjidakis album)|Reflections]]" with the New York Rock & Roll Ensemble contained several of his most beautiful songs, either in orchestral form or with English lyrics written by the band -  a record that preceded fusion trends by several decades.
-Hadjidakis returned to Greece in [[1972]] and recorded "[[Magnus Eroticus]]" with singer [[Fleury Dantonakis]], an opera-trained dark-toned alto who proved the consummate interpreter of his music, and singer [[Dimitri Psarianos]]. Following the junta's overthrow, he became active in public life and assumed a number of positions in the [[Athens State Orchestra]] (KOA), [[National Opera]] (ELS), and the National Radio ([[Elliniki Radiophonia Tileorassi|ERT]]).  In [[1985]] he launched his own record company "Seirios" (Sirius).  In 1989 he founded and directed the [[Orchestra of Colours]] (Orhistra ton Chromaton), a small symphonic orchestra.
+Hadjidakis returned to Greece in [[1972]] and recorded "[[Magnus Eroticus]]" with singer [[Fleury Dantonakis]], an opera-trained dark-toned alto who proved the consummate interpreter of his music, and singer [[Dimitri Psarianos]]. Following the [[junta]]'s overthrow, he became active in public life and assumed a number of positions in the [[Athens State Orchestra]] (KOA), [[National Opera]] (ELS), and the National Radio ([[Elliniki Radiophonia Tileorassi|ERT]]).  In [[1985]] he launched his own record company "Seirios" (Sirius).  In 1989 he founded and directed the [[Orchestra of Colours]] (Orhistra ton Chromaton), a small symphonic orchestra.
 He was to assume the role of score composer for his friend Federico Fellini's films, following Nino Rota's death, but the collaboration never materialized because of Hadjidakis' mounting health problems.  He died on [[June 15]], [[1994]], of heart disease and diabetes.

@@ Line 1: / Line 1: @@
 [[Image:Hadjidakis-1.jpg|right]]
-'''Manos Hadjidakis''' (Μάνος Χατζιδάκις) ([[October 23]], [[1925]]&ndash;[[June 15]], [[1994]]) was a [[Greece|Greek]] music composer. He was born in [[Xanthi]], Greece. In 1961 he received an Oscar or [[Academy Award]] in the category of Best Music, for his Song ''[[Never on Sunday]]'' from the film of the same name. He is widely popular among Greeks and can be credited with the introduction of [[bouzouki]] music into mainstream culture.
+'''Manos Hadjidakis''' (Μάνος Χατζιδάκις) ([[October 23]], [[1925]]&ndash;[[June 15]], [[1994]]) was a [[Greece|Greek]] music composer. He was born in [[Xanthi]], Greece. In [[1961]] he received an Oscar or [[Academy Award]] in the category of Best Music, for his Song ''[[Never on Sunday]]'' from the film of the same name. He is widely popular among Greeks and can be credited with the introduction of [[bouzouki]] music into mainstream culture.
 ==Biography==
@@ Line 15: / Line 15: @@
 In [[1965]], his LP "Το Χαμόγελο της Τζιοκόντας" (Gioconda's Smile) was released on Minos-EMI. In [[2004]], it was re-released, digitally remastered as an audiophile LP and a [[CD]] in the EMI Classics collection.
-In 1966 he travelled to New York for the premiere of ''[[Ilya Darling]]'', a Broadway musical based on "Never on Sunday" and starring Melina Merkouri. He did not return to Greece until [[1972]], mostly because of opposition to Greece's military dictatorship.  While in America he completed several more major compositions, including '''Rhythmology''' ([[Rythmologia]]) for solo piano, his famous orchestral compilation ''[[Gioconda's Smile]]'' (produced by none other than Quincy Jones), and the pinnacle of his musical achievement, the song cycle ''[[Magnus Eroticus]]'' (Megalos Erotikos), in which he used ancient ([[Sappho]], [[Euripides]]), medieval (stanzas from folk songs and [[George Hortatzis]]' romance ''[[Erophile]]'') and modern ([[Dionysios Solomos]], [[Constantine Cavafy]], [[Odysseus Elytis]], [[Nikos Gkatsos]], [[Myrtiotissa]], [[George Sarantaris]]) Greek poems, as well as an excerpt from the Old Testament book "Wisdom of Solomon".  His LP "[[Reflections (Manos Hadjidakis album)|Reflections]]" with the [[New York Rock & Roll Ensemble]] contained several of his most beautiful songs, either in orchestral form or with English lyrics written by the band -  a record that preceded fusion trends by several decades.
+In 1966 he travelled to New York for the premiere of ''[[Ilya Darling]]'', a Broadway musical based on "Never on Sunday" and starring Melina Merkouri. He did not return to Greece until [[1972]], mostly because of opposition to Greece's military dictatorship.  While in America he completed several more major compositions, including '''Rhythmology''' ([[Rythmologia]]) for solo piano, his famous orchestral compilation ''[[Gioconda's Smile]]'' (produced by none other than Quincy Jones), and the pinnacle of his musical achievement, the song cycle ''[[Magnus Eroticus]]'' (Megalos Erotikos), in which he used ancient ([[Sappho]], [[Euripides]]), medieval (stanzas from folk songs and [[George Hortatzis]]' romance ''[[Erophile]]'') and modern ([[Dionysios Solomos]], [[Constantine Cavafy]], [[Odysseus Elytis]], [[Nikos Gkatsos]], [[Myrtiotissa]], [[George Sarantaris]]) Greek poems, as well as an excerpt from the Old Testament book "Wisdom of Solomon".  His LP "[[Reflections (Manos Hadjidakis album)|Reflections]]" with the New York Rock & Roll Ensemble contained several of his most beautiful songs, either in orchestral form or with English lyrics written by the band -  a record that preceded fusion trends by several decades.
 Hadjidakis returned to Greece in [[1972]] and recorded "[[Magnus Eroticus]]" with singer [[Fleury Dantonakis]], an opera-trained dark-toned alto who proved the consummate interpreter of his music, and singer [[Dimitri Psarianos]]. Following the junta's overthrow, he became active in public life and assumed a number of positions in the [[Athens State Orchestra]] (KOA), [[National Opera]] (ELS), and the National Radio ([[Elliniki Radiophonia Tileorassi|ERT]]).  In [[1985]] he launched his own record company "Seirios" (Sirius).  In 1989 he founded and directed the [[Orchestra of Colours]] (Orhistra ton Chromaton), a small symphonic orchestra.
-He was to assume the role of score composer for his friend Federico Fellini's films, following Nino Rota's death, but the collaboration never materialized because of Hadjidakis' mounting health problems.  He died on June 15, 1994, of heart disease and diabetes.
+He was to assume the role of score composer for his friend Federico Fellini's films, following Nino Rota's death, but the collaboration never materialized because of Hadjidakis' mounting health problems.  He died on [[June 15]], [[1994]], of heart disease and diabetes.
-==Musical Scores== (incomplete)
+==Musical Scores (incomplete) ==
 * ''[[Adoulotoi Sklavoi]]'' -  <i>Unsubdued Slaves - US title</i> ([[1946]])

@@ Line 31: / Line 31: @@
 * Pote Tin Kyriaki (Ποτέ Την Κυριακή) - ''Never on Sunday - US title'' ([[1960]])
 * Το Χαμόγελο Της Τζιοκόντας - Gioconda's Smile (1964)
-* ''[[Reflections (Manos Hadjidakis album)|Reflections]]'' (1969) - Performed by the [[New York Rock & Roll Ensemble]]
+* ''[[Reflections (Manos Hadjidakis album)|Reflections]]'' (1969) - Performed by the New York Rock & Roll Ensemble
 ==External link==

@@ Line 39: / Line 39: @@
 [[Category:1994 deaths|Hadjidakis, Manos]]
 [[Category:Film score composers|Hadjidakis, Manos]]
-[[Category:Music Composers|Hadjidakis, Manos]]
+[[Category:Composers|Hadjidakis, Manos]]
 [[el:Μάνος Χατζιδάκις]]