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	<id>https://wiki.phantis.com/index.php?action=history&amp;feed=atom&amp;title=Prometheus_Bound</id>
	<title>Prometheus Bound - Revision history</title>
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	<updated>2026-06-04T09:30:10Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<id>https://wiki.phantis.com/index.php?title=Prometheus_Bound&amp;diff=22550&amp;oldid=prev</id>
		<title>Irlandos at 15:33, December 27, 2006</title>
		<link rel="alternate" type="text/html" href="https://wiki.phantis.com/index.php?title=Prometheus_Bound&amp;diff=22550&amp;oldid=prev"/>
		<updated>2006-12-27T15:33:16Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:33, December 27, 2006&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot; &gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Synopsis==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Synopsis==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The play is composed almost entirely of speeches and contains little action since its protagonist is chained and immobile throughout. At the beginning, [[Cratos]] (strength), [[Bia]] (violence), and [[Hephaestus]] the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[blacksmith|&lt;/del&gt;smithy&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;-god chain Prometheus to a mountain in the [[Caucasus]] and then depart. The daughters of [[Okeanos]], who make up the [[Greek chorus|chorus]], appear and attempt to comfort Prometheus by conversing with him. Oceanos himself, a friend, arrives and warns Prometheus not to arouse the further wrath of Zeus by boasting of the god&amp;#039;s future overthrow. Prometheus is then visited by [[Io (mythology)|Io]], a maiden whom Zeus pursued, and who has been changed into a cow by [[Zeus]] to save her from the wrath of [[Hera]]; Prometheus gives her knowledge of her own future, telling her that one of her descendants will release him from his torment. Finally, [[Hermes]] the messenger-god is sent down by the angered Zeus to demand that Prometheus tell him who threatens to overthrow him. Prometheus refuses, and Zeus strikes him with a thunderbolt that plunges Prometheus into the abyss.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The play is composed almost entirely of speeches and contains little action since its protagonist is chained and immobile throughout. At the beginning, [[Cratos]] (strength), [[Bia]] (violence), and [[Hephaestus]] the smithy-god chain Prometheus to a mountain in the [[Caucasus]] and then depart. The daughters of [[Okeanos]], who make up the [[Greek chorus|chorus]], appear and attempt to comfort Prometheus by conversing with him. Oceanos himself, a friend, arrives and warns Prometheus not to arouse the further wrath of Zeus by boasting of the god&amp;#039;s future overthrow. Prometheus is then visited by [[Io (mythology)|Io]], a maiden whom Zeus pursued, and who has been changed into a cow by [[Zeus]] to save her from the wrath of [[Hera]]; Prometheus gives her knowledge of her own future, telling her that one of her descendants will release him from his torment. Finally, [[Hermes]] the messenger-god is sent down by the angered Zeus to demand that Prometheus tell him who threatens to overthrow him. Prometheus refuses, and Zeus strikes him with a thunderbolt that plunges Prometheus into the abyss.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Themes==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Themes==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l13&quot; &gt;Line 13:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 13:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Reputation==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Reputation==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Prometheus Bound&amp;#039;&amp;#039; was not highly regarded among Greek plays until the early [[nineteenth century]], when Romantic writers came to identify with the defiant Prometheus. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Johann Wolfgang von Goethe&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/del&gt;wrote a poem on the theme, and [[Lord Byron]] became attached to the play in childhood, and claimed that it worked its way into everything he wrote.  Percy Bysshe Shelley wrote a poem, &amp;#039;&amp;#039;[[Prometheus Unbound]]&amp;#039;&amp;#039;, which used some of the materials of the play as a vehicle for Shelley&amp;#039;s own vision.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Prometheus Bound&amp;#039;&amp;#039; was not highly regarded among Greek plays until the early [[nineteenth century]], when Romantic writers came to identify with the defiant Prometheus. Johann Wolfgang von Goethe wrote a poem on the theme, and [[Lord Byron]] became attached to the play in childhood, and claimed that it worked its way into everything he wrote.  Percy Bysshe Shelley wrote a poem, &amp;#039;&amp;#039;[[Prometheus Unbound]]&amp;#039;&amp;#039;, which used some of the materials of the play as a vehicle for Shelley&amp;#039;s own vision.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Memorable lines==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Memorable lines==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Irlandos</name></author>
	</entry>
	<entry>
		<id>https://wiki.phantis.com/index.php?title=Prometheus_Bound&amp;diff=22549&amp;oldid=prev</id>
		<title>Irlandos at 15:32, December 27, 2006</title>
		<link rel="alternate" type="text/html" href="https://wiki.phantis.com/index.php?title=Prometheus_Bound&amp;diff=22549&amp;oldid=prev"/>
		<updated>2006-12-27T15:32:12Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Prometheus Bound&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; ([[Greek language|Greek]] Προμηθεύς Δεσμώτης) is an [[Ancient Greek theatre|Ancient Greek play]]. It is traditionally attributed to [[Aeschylus]], but is now considered by some scholars to be the work of another hand, perhaps one as late as the [[4th century BC]]. However, it is still normally included in collected editions of Aeschylus. There is evidence that it was the first play in a trilogy, but the other two plays, &amp;#039;&amp;#039;[[Prometheus Unbound]]&amp;#039;&amp;#039; and &amp;#039;&amp;#039;[[Prometheus Pyrphoros]]&amp;#039;&amp;#039;, survive only in fragments.&lt;br /&gt;
&lt;br /&gt;
The play is based on the myth of [[Prometheus]], a [[titan (mythology)|titan]] who gave the gift of fire to mortals and was punished by the god [[Zeus]] for this.  Prometheus (whose name means &amp;#039;foreknowledge&amp;#039;) possessed prophetic knowledge of the person who would one day overthrow Zeus, but refused to divulge this information.&lt;br /&gt;
&lt;br /&gt;
==Synopsis==&lt;br /&gt;
&lt;br /&gt;
The play is composed almost entirely of speeches and contains little action since its protagonist is chained and immobile throughout. At the beginning, [[Cratos]] (strength), [[Bia]] (violence), and [[Hephaestus]] the [[blacksmith|smithy]]-god chain Prometheus to a mountain in the [[Caucasus]] and then depart. The daughters of [[Okeanos]], who make up the [[Greek chorus|chorus]], appear and attempt to comfort Prometheus by conversing with him. Oceanos himself, a friend, arrives and warns Prometheus not to arouse the further wrath of Zeus by boasting of the god&amp;#039;s future overthrow. Prometheus is then visited by [[Io (mythology)|Io]], a maiden whom Zeus pursued, and who has been changed into a cow by [[Zeus]] to save her from the wrath of [[Hera]]; Prometheus gives her knowledge of her own future, telling her that one of her descendants will release him from his torment. Finally, [[Hermes]] the messenger-god is sent down by the angered Zeus to demand that Prometheus tell him who threatens to overthrow him. Prometheus refuses, and Zeus strikes him with a thunderbolt that plunges Prometheus into the abyss.&lt;br /&gt;
&lt;br /&gt;
==Themes==&lt;br /&gt;
&lt;br /&gt;
Throughout the play, Prometheus remains defiant, identifying Zeus as a tyrant and criminal. He contrasts his own concern and sacrifice for the race of mortal men with Zeus&amp;#039;s desire to destroy them. This treatment of Zeus is quite different from his treatment in other Attic plays, and perhaps suggests that Aeschylus, who elsewhere described Zeus as &amp;#039;father of gods and man&amp;#039;, was not the author.  It is possible that the play was written as a political allegory.&lt;br /&gt;
&lt;br /&gt;
==Reputation==&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Prometheus Bound&amp;#039;&amp;#039; was not highly regarded among Greek plays until the early [[nineteenth century]], when Romantic writers came to identify with the defiant Prometheus. [[Johann Wolfgang von Goethe]] wrote a poem on the theme, and [[Lord Byron]] became attached to the play in childhood, and claimed that it worked its way into everything he wrote.  Percy Bysshe Shelley wrote a poem, &amp;#039;&amp;#039;[[Prometheus Unbound]]&amp;#039;&amp;#039;, which used some of the materials of the play as a vehicle for Shelley&amp;#039;s own vision.&lt;br /&gt;
&lt;br /&gt;
==Memorable lines==&lt;br /&gt;
&lt;br /&gt;
*&amp;#039;&amp;#039;To sungenes toi deinon he th&amp;#039;omilia.&amp;#039;&amp;#039; (Kinship and companionship are not small things.)&lt;br /&gt;
*&amp;#039;&amp;#039;Homoia morphei glossa sou geruetai.&amp;#039;&amp;#039; (Your speech and your appearance &amp;amp;mdash; both alike.)&lt;br /&gt;
*&amp;#039;&amp;#039;Tuphlas in autois elpidas katoikisa.&amp;#039;&amp;#039; (I established in them blind hopes.)&lt;br /&gt;
*&amp;#039;&amp;#039;Saphos m&amp;#039;es oikon sos logos stellei palin.&amp;#039;&amp;#039; (Your speech returns me clearly home.)&lt;br /&gt;
&lt;br /&gt;
==Translations==&lt;br /&gt;
* Edward Hayes Plumptre, 1868 - verse:  [http://www.bartleby.com/8/4/ full text]&lt;br /&gt;
* J. Case, 1905 - verse&lt;br /&gt;
* Robert Whitelaw, 1907 - verse&lt;br /&gt;
* E. D. A. Morshead, 1908 - verse&lt;br /&gt;
* Walter Headlam and C. E. S. Headlam, 1909 - prose&lt;br /&gt;
* Herbert Weir Smyth, 1926 - prose: [http://www.perseus.tufts.edu/cgi-bin/ptext?lookup=aesch.+pb+1 full text]&lt;br /&gt;
* Clarence W. Mendell, 1926 - verse&lt;br /&gt;
* Robert C. Trevelyan, 1939 - verse&lt;br /&gt;
* David Grene, 1942 - prose and verse&lt;br /&gt;
* E. A. Havelock, 1950 -prose and verse&lt;br /&gt;
* Philip Vellacott, 1961 - verse&lt;br /&gt;
* Paul Roche, 1964 - verse&lt;br /&gt;
* C. John Herrington and James Scully, 1975 - verse&lt;br /&gt;
* unknown translator - verse: [http://classics.mit.edu/Aeschylus/prometheus.html full text]&lt;br /&gt;
* G. Theodoridis full text: [http://www.users.bigpond.net.au/soloword/]&lt;br /&gt;
&lt;br /&gt;
==Additional resources==&lt;br /&gt;
*[http://www.sparknotes.com/drama/prometheus/ Sparknotes.com Entry on Prometheus Bound.]&lt;br /&gt;
&lt;br /&gt;
{{Credit wikipedia}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Ancient Greek plays]]&lt;/div&gt;</summary>
		<author><name>Irlandos</name></author>
	</entry>
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