Oedipus at Colonus

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Oedipus at Colonus (also Oedipus Coloneus, and in Greek Οιδίπους επί Κολωνώ) is one of the three Theban plays of the Athenian tragedian Sophocles. It was written before Sophocles' death in 406 BC and produced by his grandson (also called Sophocles) at the Festival of Dionysus in 401 BC.

In the timeline of the plays, the events of Oedipus at Colonus occur after Oedipus the King and before Antigone. The play describes the end of Oedipus' tragic life. Legends differ as to the site of Oedipus' death; Sophocles set the place at Colonus, a village near Athens and also Sophocles' own birthplace, where the blinded Oedipus has come with his daughters Antigone and Ismene as suppliants of the Eumenides and of Theseus, the king of Athens.


Led by Antigone, Oedipus enters the village of Colonus and sits down on a stone. They are approached by a villager, who demands that they leave, because that ground is sacred to the Furies, or Eumenides. Oedipus recognizes this as a sign, for when he received the prophecy that he would kill his father and marry his mother, Apollo also revealed to him that at the end of his life he would die at a place sacred to the Furies, and be a blessing for the land in which he is buried.

The chorus of old men from the village enters, and persuades Oedipus to leave the holy ground. They then question him about his identity, and are horrified to learn that he is the son of Laius. Although they promised not to harm Oedipus, they wish to expel him from their city, fearing that he will curse it. Oedipus answers by explaining that he is not morally responsible for his crimes, since he killed his father in self-defence. Further, he asks to see their king, Theseus, saying, "I come as someone sacred, someone filled with piety and power, bearing a great gift for all your people."[1] The chorus is amazed, and decides to reserve their judgement of Oedipus until Theseus comes.

Ismene arrives, rejoicing to see her father and sister. She brings the news that Eteocles has seized the throne of Thebes from his elder brother, Polynices, while Polynices has gathered support from the Argives to attack the city. Both sons have heard an oracle that the outcome of the conflict will depend on where their father is buried. Ismene tells her father that it is Creon's plan to come for him and bury him at the border of Thebes, without proper burial rites, so that the power which the oracle says his grave will have is not granted to any other land. Hearing this, Oedipus curses both of his sons for not treating him well, contrasting them with his devoted daughters.

Because Oedipus trespassed on the holy ground of the Eumenides, the villagers tell him that he must perform certain rites to appease them. Ismene volunteers to go perform them for him, and departs. Meanwhile, the chorus questions Oedipus once more, desiring to know the details of his incest and patricide. Theseus enters, and in contrast to the prying chorus states, "I know all about you, son of Laius."[2] He sympathizes with Oedipus, and offers him unconditional aid, causing Oedipus to praise Theseus, and offer him the gift of his burial site, which will ensure victory in a future conflict with Thebes. Theseus protests, saying that the two cities are friendly, and Oedipus responds with what is perhaps the most famous speech in the play. "Oh Theseus, dear friend, only the gods can never age, the gods can never die. All else in the world almight Time obliterates, crushes all to nothing..."[3] Theseus makes Oedipus a citizen of Athens, and leaves the chorus to guard him as he departs. The chorus sings about the glory and beauty of Athens.

Creon, who is the king of Thebes, comes to Oedipus and feigns pity for him and his children, telling him that he should return to Thebes. Oedipus is horrified, and recounts all of the harms Creon has inflicted on him. Creon is angry, and seizes Ismene and Antigone. His men begin to carry them off toward Thebes. The chorus attempts to stop him, and calls for Theseus, who comes from sacrificing to Poseidon to condemn Creon, telling him, "You have come to a city that practices justice, that sanctions nothing without law."[4] Creon replies by condemning Oedipus, saying "I knew [your city] would never harbor a father-killer...worse, a creature so corrupt, exposed as the mate, the unholy husband of his own mother."[5] Oedipus, infuriated, declares once more that he is not morally responsible for what he did. Theseus leads Creon away to retake the two girls. The Athenians overpower the Thebans and return both girls to Oedipus. Oedipus moves to kiss Theseus in gratitude, then draws back, acknowledging that he is still polluted.

Theseus then informs Oedipus that a suppliant has come to the temple of Poseidon and wishes to speak with him; it is Oedipus' son Polyneices, who has been banished from Thebes by his brother Eteocles. Oedipus does not want to talk to him, saying that he loathes the sound of his voice, but Antigone persuades him to listen, saying, "Many other men have rebellious children, quick tempers too...but they listen to reason, they relent."[6] Oedipus gives in to her, and Polynices enters, lamenting Oedipus' miserable condition and begging his father to speak to him. He tells Oedipus that he has been driven out of the Thebes unjustly by his brother, and his preparing to attack the city. He knows that this is the result of Oedipus' curse on his sons, and begs his father to relent, even going so far as to say "We share the same fate" to his father.[7] Oedipus tells him that he deserves his fate, for he cast his father out. He foretells that his two sons will kill each other in the coming battle. "Die! Die by your own blood brother's hand-die!-killing the very man who drove you out! So I curse your life out!"[8] Antigone tries to restrain her brother, telling him that he should not attack Thebes and avoid dying at his brother's hand. Polynices refuses to be dissuaded, and exits.

Following their conversation there is a fierce thunderstorm, which Oedipus interprets as a sign from Zeus of his impending death. Calling for Theseus, he tells him that it is time for him to give the gift he promised to Athens. Filled with strength, the blind Oedipus stands and walks, calling for his children and Theseus to follow him.

A messenger enters and tells the chorus that Oedipus is dead. He lead his children and Theseus away, then bathed himself and poured libations, while his daughters grieved. He told them that their burden of caring for him was gone, and asked Theseus to swear not to forsake his daughters. Then he sent his children away, for only Theseus could know the place of his death, and pass it on to his heir. When the messenger turned back to look at the spot where Oedipus last stood, he says that "We couldn't see the man- he was gone- nowhere! And the king, alone, sheilding his eyes, both hands spread out against his face as if- some terrible wonder flashed before his eyes and he, he could not bear to look."[9] Theseus enters with Antigone and Ismene, who are weeping and mourning their father. Antigone longs to see her father's tomb, even to be buried there with him rather than live without him. The girls beg Theseus to take them, but he reminds them that the place is a secret, and that no one may go there. "And he said that if I kept my pledge, I'd keep my country free of harm forever."[10] Antigone agrees, and asks for passage back to Thebes, where she hopes to stop the Seven Against Thebes from marching. Everyone exits toward Athens.

There is less action in this play than in Oedipus the King, and more philosophical discussion. Here, Oedipus discusses his fate as related by the oracle, and claims that he is not fully guilty because his crimes of murder and incest were committed in ignorance. Despite being blinded and exiled and facing violence from Creon and his sons, in the end Oedipus is accepted and absolved by Zeus.


In the years between the play's composition and its first performance, Athens underwent many changes. Defeated by the Spartans, the city was placed under the rule of the Thirty Tyrants, and the citizens who opposed their rule were exiled or executed.[11] This certainly affected the way that early audiences reacted to the play, just as the invasion of Athens and its diminished power surely affected Sophocles as he wrote it.

While the other two plays about Oedipus often bring up the question of a person's moral responsibility for their destiny, and whether it is possible to rebel against destiny, Oedipus at Colonus is the only one to address it explicitly. Oedipus vehemently states that he is not responsible for the actions he was fated to commit.

The play contrasts the cities of Athens and Thebes quite sharply. Thebes is often used in Athenian dramas as a city in which proper boundaries and identities are not maintained, allowing the playwright to explore themes like incest, murder, and hubris in a safe setting.


  • Thomas Francklin, 1759 - verse
  • Richard C. Jebb, 1904 - prose: full text
  • Francis Storr, 1912 - verse: full text
  • E.F. Watling, 1947 - verse
  • Theodore Howard Banks, 1953 - verse
  • Robert Fitzgerald, 1940 - verse
  • Paul Roche, 1958 - verse
  • Robert Fagles, 1984 - verse


  1. Sophocles. The Three Theban Plays. Trans. Robert Fagles. New York: Penguin Books, 1984, p. 300
  2. Sophocles. The Three Theban Plays. Trans. Robert Fagles. New York: Penguin Books, 1984, p. 318
  3. Sophocles. The Three Theban Plays. Trans. Robert Fagles. New York: Penguin Books, 1984, p. 322
  4. Sophocles. The Three Theban Plays. Trans. Robert Fagles. New York: Penguin Books, 1984, p. 341
  5. Sophocles. The Three Theban Plays. Trans. Robert Fagles. New York: Penguin Books, 1984, p. 343
  6. Sophocles. The Three Theban Plays. Trans. Robert Fagles. New York: Penguin Books, 1984, p. 357
  7. Sophocles. The Three Theban Plays. Trans. Robert Fagles. New York: Penguin Books, 1984, p. 363
  8. Sophocles. The Three Theban Plays. Trans. Robert Fagles. New York: Penguin Books, 1984, p. 365
  9. Sophocles. The Three Theban Plays. Trans. Robert Fagles. New York: Penguin Books, 1984, p. 381
  10. Sophocles. The Three Theban Plays. Trans. Robert Fagles. New York: Penguin Books, 1984, p. 388
  11. Pomeroy, Sarah, Stanley Burstein, Walter Donlan, and Jennifer Roberts. Ancient Greece: A Political, Social, and Cultural History. New York: Oxford University Press, 1999, p. 322

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